Beyoncé became the most decorated musician in Grammy history - with her win for the Best Dance/Electronic Music Album for 'Renaissance', she has now won 32 Grammys over the span of her career, CNBC reports. Viola Davis has become the 18th person to achieve the EGOT - winning an Emmy, Grammy, Oscar and Tony Award - by winning best audiobook for her autobiography 'Finding Me'. In other major awards, Harry Styles won Album of the year for 'Harry's House', Lizzo won Record of the year for 'About Damn Time', and Bonnie Raitt took home the Song of the year trophy for 'Just Like That'. Samara Joy was crowned Best new artist, Robert Glasper won Best R&B album for 'Black Radio III', Kendrick Lamar in both Best rap song and Best rap album categories with 'The Heart Part 5', and 'Mr. Morale & The Big Steppers', respectively. Ozzy Osbourne's 'Patient Number Nine', was named best rock album, while his song 'Degradation Rules' won best metal performance. British indie duo Wet Leg also received two awards - including best alternative album for 'Wet Leg' and best alternative song for their breakout single, 'Chaise Longue'. Meanwhile composer and violinist Stephanie Economou received the first ever Grammy for best video game soundtrack, recognising her work on 'Assassin's Creed: Dawn Of Ragnarok'. First Lady Jill Biden honored an “anthem” of the protests in Iran Sunday night, 'Baraye' by AcademicShervin Hajipour as she presented a new Grammy Award recognizing songs that address social change. See Grammys in pictures. Check out all the nominees and winners.

Kendrick Lamar's landmark 2015 album 'To Pimp a Butterfly' had overtaken the top spot on the popular community review site Rate Your Music, surpassing Radiohead’s 'OK Computer' as the highest-ranked album of all time. 'To Pimp a Butterfly' now has a 4.34 rating, the highest on the platform; 'OK Computer' is at 4.26. Rate Your Music uses a complex algorithm to calculate an album’s score, which considers factors including total number of reviews, each user’s activity level on the site, and more. Radiohead, however, have a total of three albums in the Top 10, Pink Floyd have two.

Since 1996, the so-called “Big Four” Grammy Awards - Album of The Year, Record of the Year, Song of the Year, and Best New Artist - have been awarded to 67 recipients. Of these, only five are hip-hop: Lauryn Hill (AOTY, Best New Artist); OutKast (AOTY); Chance The Rapper (Best New Artist); Childish Gambino (SOTY, ROTY); and Megan Thee Stallion (Best New Artist). The Grammy Awards’ holy trifecta – “AOTY”, “ROTY”, and “SOTY” – has eluded him despite nine nominations. How much more impact would Kendrick have had with one – let alone several – well-deserved Big Four win(s)? - Trapital asks in the latest newsletter.

"'Mr Morale & the Big Steppers' is absolutely crammed with lyrical and musical ideas" - Alexis Petridis writes reviewing the new album by Kendrick Lamar. Clash Music is equally enthused: "One of his most profound, complex, revelatory statements yet, a double album fuelled by sonic ambition, the will to communicate, and Kendrick’s staunch refusal to walk the easy path". Consequence hears "another bonafide masterpiece", whereas NME says "this album is as much about struggle as it is freedom, and what a beautiful sentiment that is".

"This was hip-hop playing the long game, taking its presence and acceptance as an achievement, conceding that the gatekeepers want a level of assimilation with their authenticity" - Pitchfork looks into the Super Bowl, the first-ever hip-hop halftime show. Rolling Stone calls it "a triumph", whereas BBC asks "did too many hooks spoil the broth?". Watch it here.

"The performer who emerged amid the skyline of the Strip came with a vibe—explosive, poetic, passionate, true—that reverberated deep into the souls of the 50,000+ festival-goers who turned up to see him" - Consequence reviews Kendrick Lamar's first US performance in two years. Billboard puts it simply: "Kendrick Lamar's Day N Vegas performance was art". Rolling Stone describes it as "casually dazzling".

London-based singer Toni Sancho shares her first single, sophisticated pop record ‘Survive!’; Radiohead take out dreamy ‘If You Say The Word’ from their archives; just totally English-sounding Yard Act share ‘The Overload’; Baby Keem gets a little help from Kendrick Lamar on ‘Range Brothers’.

"Folks like Diddy, Jay Z, and Master P are in their 50s, healthy, and wealthy. Music was their gateway to other businesses... Kendrick is rarely mentioned among hip-hop's highest earners. Forbes once wrote an article about how Kendrick is not a cash king!... For years, Kendrick looked past most business partnerships and stayed focused on music. His love for hip-hop is admirable, but it's hard to ignore trends of older artists who focused on business early on and are still living well" - Trapital's Dan Runcie writes about the announcement that Kendrick Lamar is leaving the TDE label after his new album is released.

Hip-hop playlist RapCaviar made The Mount Rushmore of 2010s hip-hop, picking the first three and leaving it to its Twitter followers to pick out the fourth. RC first chose Drake, Kendrick Lamar and J. Cole, with the Twittersphere picking out Nicki Minaj. Kanye West was close 2nd, followed by Future and Lil Wayne.

The Ringer points out to the fact that makes it seem like the last 20 years hadn't ever happened, according to the Grammys at least. So, Beyonce hasn't won Album of the Year Grammy, Kendrick Lamar hasn't won album of the year, and Kanye West hasn't. The Ringer wants us to ignore the Grammys. Why not repair it?!?