Trapital's Dan Runcie looks into the recent poor performance of Coi Leray's latest album, compared to his social media presence: "On most social media networks, it’s impossible to segment your followers into different categories. Are your fans there because they love your music? Or because they like you as a person? Or do they find your posts entertaining? Do they follow because they find you attractive? Or do they love the Shade Room-worthy posts you share and don’t want to miss the tea? For some artists, it’s all of those combined, but most of the time it’s not".

"Turning the volume down on a brutal metal riff feels almost sacrilegious, like it's disrespectful to the music to hear it at anything but full volume. But why? Many genres can be enjoyed perfectly fine at a nice, comfortably quiet level, but metal resists that, and metalheads reject those efforts. So what's going on? Why does metal only work when it's loud as hell?" - music theorist 12tone asks in his latest video. Watch it below!

"'Aethiopes' is a dense text full of bursts of language that demand serious thought and analysis. You could transcribe all of woods’ lyrics on the album and sell them as a poetry book, and on paper, they’d cut deeper than most of the (admittedly very little) poetry that I’ve forced myself to read over the years. But this isn’t homework. This is a rap record, and it’s a great one" - Stereogum writes reviewing billy woods' new album. "With Preservation behind the boards on every track, 'Aethiopes' skids across eras, countries, and cultures... A clear mid-career apex that shoves woods’ always outlandish style into territories further afield than ever before" - Pitchfork wrote.

Alexander Malofeev

The Walrus looks into the wave of cancelling shows by Russian artists in tbh West: "If they have any impact at all, the cancellations may play into the Russian regime’s narrative about the 'hostile' acts of the 'collective West'—a characterization of NATO that serves as a philosophical counterpoint, socioeconomic scapegoat, and Russophobic supervillain in Putin’s rhetoric. To the extent that the Kremlin is aware that there’s a little less Tchaikovsky being played or that a Russian kid isn’t touring, the cancellations are serving as confirmation that the West is waging a cultural war against Russia. But the impact on artists is potentially significant, not least because artists are already usually in a state of financial precarity. Undermining them professionally, silencing their work, and pressuring them to speak out against the war at their own risk not only fails to do anything to support Ukraine, it’s also unfair to the artists, many of whose work tends to be antiwar".

These days it might be harder than ever for young bands, and not only because of astronomical gas prices and rising food costs. The pandemic has been devastating for the live-music industry, for artists and behind-the-scenes workers alike. Many bands were forced off the road for much of the past two years; now that they’re back, they could test positive and be forced to cancel a string of tour dates - Rolling Stone reports on the issue.

A new David Bowie documentary 'Moonage Daydream', directed by Brett Morgen (best known for the Kurt Cobain doc, Montage of Heck) and the first Bowie doc to have the approval of the late musician’s estate, is set to screen at the 2022 Cannes Film Festival. The film is described as both a concert documentary and an “experimental cinematic odyssey” that will track Bowie’s life and career, delving into his work as a musician, but also his multidisciplinary approach to his craft. Ethan Coen’s doc, 'Jerry L

YouTube music theorist shared a video of his band Band Practice playing a gig in New York that's essentially - band practice. Also, in the video, prior to the concert they talk about what to play at the gig, although it's practice. Cool and funny stuff!

The U.K. government has agreed to temporarily suspend post-Brexit “cabotage” rules for some music haulers, following warnings from live-industry executives that the regulations were placing more than 100 European summer tours at risk, some of which have already been cancelled. The relaxation of rules allows some of the U.K.’s biggest trucking firms to work and travel freely across Europe by temporarily switching their vehicles from an EU operator’s license to a U.K. one for the home leg of a tour. Since January of 2021, truckers in both regions have been subject to the cabotage rules, which require haulers to return to the EU or the U.K. — wherever their business is based — after making three stops in the other market, NME reports.

LA teenage pop-punk band The Linda Lindas released their debut album 'Growing Up' this week, dealing with the issue from the title. “We hope it resonates with everyone and not just kids. You don’t stop growing up after you’re a kid!” - as guitarist Lucia de la Garza (15) told MTV. Her sister Mila (11), shares - “[The songs] are like parts of us. So if you listen to it, you kinda get to know us a little better, Consequence reports.

Beth Gibons of Portishead

Pink Floyd have released a new song 'Hey, Hey, Rise Up!' featuring Andriy Khlyvnyuk of the Ukrainian band Boombox. The lineup on the track includes David Gilmour and Nick Mason with bassist Guy Pratt and keyboardist Nitin Sawhney, Guardian reports. 'Hey, Hey, Rise Up!' is the first original music from the band since 1994’s 'The Division Bell'. In similar news, Portishead will regroup next month for their first show in seven years, playing a short set as part of a War Child benefit concert supporting relief efforts in Ukraine, Consequence reports.

A viral Twitter thread from Asheville indie rock band Wednesday about not being paid enough for live shows sparked a conversation about the economics of touring in 2022. Stereogum talked to a few bands about their touring experiences, including one which does delivery on the side while on tour. Also, a burning question - should a band book an Airbnb or sleep in the van?!

No physical medium required at the customer interface. A wide selection of songs available for instant listening. Music choices made by the user, not some corporation or station manager - a quite correct description of a streaming service. However, it's a business started in 1939 by Seattle inventor Ken Shyvers. Ted Gioia goes back in time.

In the latest edition of his How to Get Good at Music segment, music theorist Adam Neely and his guest Christian Li argue there are no rules in music, it's the context that matters. Neely and Li emphasize that music needs to be alive, rather than just a series of notes.

Jon Batiste won album of the year for 'We Are', Silk Sonic won record and song of the year for 'Leave the Door Open' and Olivia Rodrigo walked away with best new artist ath the Grammy awards. Ukrainian President Volodymyr Zelensky appeared mid-show to speak of Ukrainian musicians: "The war — what's more opposite than music? We defend our freedom. To live. To love. To sound. In our land, we are fighting Russia which brings horrible silence with their bombs. The dead silence. Fill the silence with your music! Fill it today. To tell our story. Tell the truth about war". Check out all the winners.

A phone, not a xylophone

Goldie: Smartphones scare me slighty


​“I found myself reading about coronavirus and the effects of it on clubbing. I feel slightly blessed and overwhelmed wih what has happened because of it” - Goldie says in The Face interview. There's this other burning issue, smartphones - "‘Oh my God, what about my daughter’s kids? What about this new generation that have been pacified with telephones? Are they smart enough to jump over the telephone and go, ​‘There’s a new trend where you switch it off and go to a club!’ It scares me slightly.”

"The best songs on 'Diaspora Problems' master this balance of chaotic hardcore with more approachable hooks and a wide palette of non-hardcore styles" - Consequence reviews the new album by the Philadelphia band. Exclaim believes the album makes them "one of the most important heavy bands in 2022". Ian Cohen calls it "staggering... a ticking time bomb hurled by a band tired of waiting on solutions and taking power into its own hands". The band is very political, what they emphasize in the Guardian interview: "The real political character of America is just sheer apathy and a focus on oneself, for the sake of survival”.

A nice little blog post by Medium about movie titles inspired by songs. The top spot is taken by Inner Circle's 'Bad Boys' - a song "about teenage life and becoming semi-aggressive as you start growing up... it’s about troubled kids who have problems at home”. The song was picked up in 1995 by the 'Bad Boys' action comedy franchise, which stars Will Smith and Martin Lawrence as two Miami narcotics detectives.

It seems like Covid-19 is disappearing, especially now as there's a much more sinister threat. However, for musicians, Covid is still hanging above their heads. Pitchfork explored the issue:: "For rising bands and independent musicians tours are a crucial way to pursue a viable career path as a musician and often serve as the crux of their income. If musicians catch COVID-19, that’s potentially hundreds if not thousands of dollars down the drain... With mask and vaccine mandates evaporating around the country, artists are forced to once again ask themselves an important question: Should they risk their health by heading out on the road, or should they risk their income by missing out on another year of touring? Lately, it seems like indie artists are realizing there’s a hidden asterisk in this ultimatum; they can give touring a try so long as fans mask up".

Billie Eilish and Finneas won an Oscar for their song 'No Time to Die' from the James Bond film of the same name. In the other music-related Oscar category, Hans Zimmer won an Oscar for best original score for 'Dune'. The Roots' Questlove was awarded an Oscar in the Documentary feature category for 'Summer Of Soul'.

The Face surveyed 314 young people aged 14 to 23 across the UK about life in the pandemic. The answer by a 14-year-old Lucy tells a lot and is very, very sad: “Being 12 when this pandemic began and turning 15 this year, it scares me how I’ve had the majority of my life in lockdowns. I got my first period, my first ​‘love’, and although I feel like so many others have had a far worse time than me, I feel like I’ve lost my life to this virus. I think my experience is probably very similar to others, but I always wonder what life would be like if I could have gone out and experienced the things that a 13-year-old does".

"TikTok app is being blamed for the ‘TikTokification’ of music, but not only by adults who don’t understand it" - The Forty-Five notices a trend. "Urban Dictionary defines ‘TikTokification’ as, 'A song that was once amazing is now the worst thanks to TikTok'. While it’s true that trending music can get stuck in your head until you can’t bear to listen to your favourite song anymore, the complaint also reveals an online discourse that treats fans who discover music through TikTok as less authentic and respectful than fans who discover it elsewhere."

"The Foo Fighters family is devastated by the tragic and untimely loss of our beloved Taylor Hawkins. His musical spirit and infectious laughter will live on with all of us forever"- the Foo Fighters said in a statement. Foo Fighters drummer Hawkins has died aged 50. Watch Foo Fighters play ‘Everlong’ at their final gig with Hawkins, at Lollapalooza Argentina on March 20th, the last song the drummer played before his death five days later.

Alewya released her new video for 'Zuggy', a guitar-ornamented afro-beat song, shot in an industrial setting. A solo dancer is surrounded by Alewya's works. 'Zuggy’ is taken from her EP ‘Panther in Mode’.

We prepare the faces to meet the audiences we meet

Aldous Harding: I feel like a song actor

Today, Aldous Harding released her new album 'Warm Chris', a strange collection of minimalist baroque folk songs. Recently, she talked to Pitchfork about it (The P tagged it best new music, gave it 8,2), and her personality: "For me, taking identity too seriously is really detrimental to my music. People say to me, 'Why don’t you use your real voice?'. But what people don’t understand is that I don’t know what my normal voice is anymore. In a lot of ways, I feel like the songs are like secrets that the muse is keeping from me. I have to listen, and then it tells me where the gaps in the universe are, and then I try to fill them with good intentions".

"Every time I pop out, I keep running into fools talking on the dancefloor. Just standing around, chitty-chatting" - Michelle Lhooq is frustrated and angry in her latest post. She also gives the oblivious a scientific explanation of the dancefloor: "The key to a popping dancefloor is ENERGY CIRCULATION. The DJ opens the portal and radiates nrg through the speakers, which disseminates through the dancers and twists into an atmospheric vortex. So when Chatty Kathys cluster by the DJ booth, ya’ll create ENERGY BLOCKS right at the power source, siphoning radiance with your black hole of self-absorption. This is not your aunty’s tea party. We out here exorcising demons. Out here for dissolution, for relief, for fucking feeling something—not networking!!!".

Last year 52,600 artists generated over $10,000 on Spotify, the platform has announced, the MBW reports. 15,140 of these 52,600 artists – around 28% – uploaded their own music. Of the 52,600 artists who generated more than $10k last year:

  • 16,500 artists generated more than $50k;
  • 9,500 artists generated more than $100k;
  • 2,170 artists generated more than $500k;
  • and 1,040 artists generated more than $1 million.

Spotify paid out $7 billion (across publishing and recorded music) to music industry rights-holders.

"In recent years, experimental musicians have been steadily building Ukraine’s reputation as a crucial node in Europe’s electronic underground. The country’s scene began coming into its own after 2014’s Maidan Revolution, in which protestors seeking closer links with Europe ousted a pro-Kremlin president and ushered in a new era of democracy and reform. In the wake of those events, young ravers clad in secondhand ’90s fashion began carving out a new future underneath the slogan “poor but cool.” Since then, parties and clubs like CXEMA, Closer, and ∄ have helped Ukraine establish a reputation as one of the most stylish (and hedonistic) electronic scenes in the world" - Pitchfork points out introducing the besieged country's electronic scene.

Easter bunny came early

A great new song by Fontaines D.C.

An awesome bassline, some seriously great grooves and a killer melody on Dublin post-punk band's new song. 'Skinty Fia' is taken from the new album of the same name, out 22nd April on Partisan Records.

The global recorded music industry saw its wholesale revenues increase by USD $4.0 billion in 2021 to $25.9 billion, according to IFPI. That sum is the largest in history, MBW reports. Also, that $4 billion year-on-year increase was much higher than in the previous years - YOY growth in 2020 was $1.5bn, and in 2019 it was $1.5bn. Annual paid-for streaming revenues bounced up by $2.2 billion to $12.3 billion last year. Revenues from physical formats – CD and vinyl combined – grew to $5.0 billion in 2021, up from $4.3 billion in 2020. Ad-funded streaming platforms or free streaming, including video services, generated $4.6 billion in 2021, up 31% year-on-year.

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Joni Mitchell made a surprise appearance for a full set Sunday at the 2022 Newport Folk Festival, joining Brandi Carlile. Two ladies were joined by Blake Mills, Taylor Goldsmith, Marcus Mumford, Wynonna Judd, Lucius’ Jess Wolfe and Holly Laessig, and others. Over 13 songs, Mitchell sat around on couches on-stage playing a mix of her favorite oldies ('Why Do Fools Fall in Love', 'Love Potion No. 9') as well as an array of her masterpieces. Rolling Stone reports from the fest.

Pearl Jam have cancelled their show in Vienna, after Eddie Vedder developed throat problems following an outdoor gig in Paris. On Thursday, the band also nixed their show scheduled for Friday in Prague, the Guardian reports. The band explained that "due to the extreme circumstances at the last outdoor site outside of Paris (heat, dust, and smoke from the fires) our singer Ed Vedder’s throat was left damaged". Also from the PJ camp: Eddie Vedder booted a fan out of a Pearl Jam concert in Zurich after they started a fight with another attendee - "you’re out of here. Violence is not allowed”, Vedder said.

There were 131.3 million album-sale-equivalent units of ‘Current’ music registered in the United States in the first six months of this year, down by nearly 2 million units, or 1.4%, on the 133.1 million from the first half of the prior year, MBW reports. Total Album Consumption of all music in the United States (that’s ‘Current’ + ‘Catalog’) grew by 9.3% YoY in H1 2022 to 475.4 million. Meaning the popularity of ‘Catalog’ music grew considerably, up by 14.0% YoY to 344.1 million TAC units. ‘Catalog’ took a 72.4% market share in H1 2022, as ‘Current’ music’s share fell by a full 3% to just 27.6%. 'Catalog' is all music older than 18 months.

"Listeners—especially young ones—are not concerned with what category each track falls under, but instead in how each track makes them feel. The abundance of homemade playlists coupled with the popularity of experimentation has made the fixation on traditional genres akin to insisting that the guy has to pay for dinner on a first date... Organizing music by mood finds promise in one simple fact: some people can’t tell you what genre a song falls under, but everyone can tell you how it makes them feel" - Tiffany Ng points out in her new essay about genre-less times.

The New Cue has shared an excerpt from Ted Kessler's new book 'Paper Cuts' describing how he lost his Doc Marten's boots in Paris metro: "'Where are you from?’ asks one.
‘London,’ I say, ‘but I live here.’
‘Ah, OK,’ says the mod-skin. He sizes me up. ‘Is that where you get those Docs from?’
‘Let’s swap.’
I look at his feet. He has massive old canvas army boots on, covered in stains. They look terrible.
‘No thanks.’"

“We’ll be hearing about it for the next 10 years at least, in terms of a reference point in marketing meetings” - Jonathan Palmer of record label and music publisher BMG, said about the "boom" of Kate Bush's 'Running Up That Hill' after being used in 'Stranger Things'. The same is happening with Metallica's 'Master of Puppets' since being used in the show's finale earlier this month. Last year we've seen a similar pattern with TikTok. "The triple bonanza of a TV sync spiralling into music streaming services and TikTok is something that cannot be orchestrated though, only capitalised upon" - Guardian points out.

A closed type of a hotel now

Three men busted for stolen Eagles lyrics

Glenn Horowitz, Edward Kosinski and Rock and Roll Hall of Fame curator Craig Inciardi have been accused of attempting to sell handwritten notes and lyrics by The Eagles’ co-founder Don Henley, the Variety reports. Officials estimated that notes and lyrics of ‘Hotel California’ and ‘Life In The Fast Lane’ are worth over $1 million. Henley has been trying to recover the documents for years after they were stolen in the 1970s and according to officials, pawned off to Horowitz in 2005. Horowitz, Inciardi and Kosinski then allegedly began selling to various auction houses, as well as trying to coerce Henley into buying them back.

Vox partnered with data analysis website The Pudding to figure out what happens between a song going viral and an artist becoming a bonafide success. "It turns out the app is completely revolutionizing the way record labels work, and giving artists more leverage than ever".

Crosby, Stills & Nash have returned to Spotify after a five-month boycott, which they started by joining Neil Young’s protest against the platform—citing misinformation about COVID-19 and vaccines. Other artists such as Joni Mitchell, Crazy Horse’s Nils Lofgren, and India.Arie also joined the boycott in the winter, Graham Nash said in a statement that Spotify has “taken a positive step by adding a Covid content advisory to podcasts that include a conversation about Covid, directing listeners to a Covid information hub", Paste Magazine reports. Crosby, Stills & Nash appear to be the first of the high-profile departures to return to the platform.

People are strange, wher your music is strange

An interesting thought about "weird" music

Jennifer Lucy Allan shared an interesting thought about "weird" music in a Music Journalism Insider interview: I think there’s something deeply conservative about pointing out something’s weird, I always imagine it being said in inverted commas, or with a sneer. Even worse is using it with pride to distance yourself from so-called pop music. It’s not weird music, it’s unfamiliar music—often unfamiliar to you. The logical conclusion of this is a stagnation of the mind and the ear. Total nightmare.

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