Pitchfork talked to five promising new artists about structural racism, the many conundrums of relying on streaming services, the effect of COVID on their careers and communities, over recording techniques, album art, and other topics. Amaarae sums up their common identity - "We fought to have our voices heard and to unlearn a lot of our past traumas" - and looks into the future - "I think the generation after us is just so radical and self-aware in a way that we’ve just started to learn. They’re fearless".

Yves Tumor / Moor Mother / Navy Blue

Pitchfork made a list of 25 new artists "that help us consider the future of music: how it’ll be made, where it’ll come from, what role it’ll play in shaping scenes, and how genre lines may be increasingly dismantled". Some of the promising ones the P staff chose: MIKE for being "a beacon within the modern rap underground", Black Midi for "oddity and unpredictability", 100 Gecs for their "extreme pop music", Moor Mother for her "radical message", Bartees Strange for "his vision of what guitar music can encompass", Yves Tumor for their "restless experimentation", Amaarae for "bending the boundaries of Afro-fusion music", Navy Blue for being the "leader of a new class of introspective rapper-producers", Blood Incantation because they've "elevated old-school death metal into a psychedelic, ever-expanding solar system".

"It crosses barriers between indie/art rock, post-hardcore/emo, abrasive noise-rap, R&B, dance beats, bedroom folk, and more" - Brooklyn Vegan says about Bartees Strange's 'Live Forever' - "one of those debut albums that truly brings something new to the musical table, and it also very much seems like it's only the beginning". It's Stereogum's Album of the week because "it’s rare to hear someone have so much presence right out of the gate, but Strange owns every decision that he makes... 'Live Forever' is a testament to the power of taking chances in order to make great art".