Birdman / Fiona Prine / Noah Assad

Billboard has made a list of executives from 75 independent music companies - labels, distributors and associations - the most powerful people in indie music. Indie labels and artists - independent by their ownership through entities other than the three major music groups - account for nearly one-third of the global music market, and, according to research by MIDiA, they’ve achieved a faster rate of streaming growth on Spotify in 2019 than the majors. The people commanding them are, to name just a few, Patrick Amory from Matador Records, Bang Si-Hyuk from Big Hit, Noah Assad from Rimas, Fiona Whelan Prine from Oh Boy Records, Frabian Eli Carrión from Real Hasta La Muerte, Camille Soto Malavé from GLAD Empire, Michael Weissman from SoundCloud, Bryan “Birdman” Williams from Cash Money Records...

About 2,000 live music venues and promoters from the USA have banded together to form the National Independent Venues Association, and for more than two months the association has been lobbying Capitol Hill for another round of COVID-19 financial relief, Pitchfork reports. Measures advocated by the group include tax credits, continued unemployment insurance benefits, and payroll assistance. Music-lovers and musicians support the initiative - more than 500,000 emails have been sent through the Save Our Stages website, and more than 600 artists - including Lady Gaga, André 3000, Kacey Musgraves, Bon Iver, Joni Mitchell, Neil Young, Alabama Shakes, and Patti Smith - have publicly championed NIVA’s plea for federal rescue under the #SaveOurStages hashtag. According to a recent survey, almost 90 percent of independent venues will have to close permanently within months if they can’t secure federal funding.

The Roots and Michelle Obama are hosting a virtual festival on June 27, with a lineup featuring The Roots, SZA, Roddy Ricch, Lil Baby, Kirk Franklin, H.E.R., G Herbo, Earthgang, Polo G, DJ D-Nice, Snoh Aalegra, and Musiq Soulchild, CNN reports. Various non-musical guests will make appearances as well (no word on Barack Obama yet). The virtual fest, organized through When We All Vote as the 13th annual Roots Picnic, can be watched via the Roots’ YouTube page.

Last weekend British jazz pianist and composer Keith Tippett has died, with Raspberry Fields' Piotr Orlov writing a lovely short text about the musician. Orlov sees him as "an indispensable connector between the post-psychedelic jazz-rock folks, the free-form players, the South African expats who were completely turning the sound of improvisation upside down, and the chaotic big-bands that were striking many different kinds of fancies". Tippet collaborated a lot - with Stan Tracey, Julie Tippetts (his wife, née Driscoll, King Crimson - "his career encompasses many many records and musical turns that are beyond dope, and have seemingly little to do with one another, except that the players on them strangely overlap, and Tippett is often near the center".

New EP by the non-binary Sudanese-American singer Dua Saleh was inspired by Sister Rosetta Tharpe, known as the Godmother of rock and roll, and it is "full of diverse soundscapes with hypnotizing synths and guitars for emotionally resonant trips through Dua’s candid memories", Hypebeast says. Brooklyn Vegan hears "the influence of loud, distorted rock on this powerful EP, but you can also hear modern R&B, auto-tuned trap, atmospheric art pop, and more. It breaks down boundaries left and right". Listen to the EP in full at Bandcamp.

"I’m pretty sure it was the time I watched 'Schindler’s List' on Netflix that pushed me over the edge. If ever there was a movie where the credits were an integral part of the experience this was it. However, the second after Steven Spielberg’s name came up, the screen was shrunk to the size of a postage stamp and a massive advert appeared telling you to watch something else" - TV composer Daniel Pemberton writes in the Guardian, annoyed, by the cable-TV practice. "The end credit sequence is an unsexy but still important part of the film-going experience. It can be a key moment of contemplation, to assess, absorb and reflect on everything you have just experienced" - he argues.

Nick Cave has published a list of his favourite books on his Red Hand Files blog, a "rather formless and incoherent grab bag of titles that come to mind at this moment that, for one reason or another, I have loved over the years" (all of his books are at an exhibition now). It's nice to see there's plenty of poetry there, some familiar names, and some that just might be a starting point of a discovery.

Warner Music Group, Sony Music and Spotify plan to commemorate the June 19 holiday celebrating the end of slavery in the U.S., Billboard reports. At Warner, Juneteenth is not being treated as a day off but rather “an important time for all of us to learn, reflect, and connect as we continue to battle systemic racism". Spotify will exclusively feature black artists on Friday, June 19th.

6,000 people attended two illegal “quarantine raves” in Manchester, England on Saturday, June 13th, which left one young man dead due to suspected overdose death. According to the BBC, there were also three stabbings, and the rape of an 18-year-old-woman. Streams of young people were seen on their way to the two "quarantine raves" on Saturday evening. There was also a large police presence at both sites.

"I want to see a new generation of female writers achieve even more without age-old sexism holding them back" - former NME editor Charlotte Gunn told Music Week about her new project - The Forty-Five, an online platform with an all-female base of contributors. The site's already online - there's an interview with former Maccabees frontman Orlando Weeks who's just released his solo debut; also, a commentary on Lady Gaga’s queer pop dominating the charts.

John Prine

John Prine sang "Got no future in my happiness/Though, regrets are very few/Sometimes a little tenderness/Was the best that I could do" on 'I Remember Everything', the last song he recorded before he passed away from COVID-19; JD Simo's 'One Of Those Days' is a soulful, psychedelic and amusing rock; Bettye LaVette remade Billie Holiday's iconic 'Strange Fruit' reminding us public executions of this day aren't that different from the ones from two centuries ago; bass icon Bootsy Collins released 'Stars', featuring philosopher Dr. Cornel West, drummer Steve Jordan, banjo legend Béla Fleck, and EmiSunshine & Olvido Ruiz; Pop Smoke's posthumous album is coming out in July, 'Make It Rain' sounds promising, in mainstream hip-hop terms; Woodkid's 'Pale Yellow' is a strange fruit, dramatic, cinematic, folk-ish.

An encouraging story in the Rolling Stone about clubs in New York, California, and California D.C., shut down in March due to coronavirus, opening lately to shelter anti-police brutality protesters. Venues like Flight Deck, Club Cumming, 9:30 Club have become havens for protesters offering them charging facilities, hand sanitizer, water, restrooms and basic first-aid, some milk to dull the sting of pepper spray...

Busta Rhymes

For over two decades, New York City police has had a unit dedicated to keeping tabs on rappers and the people around them, keeping files on figures like Jay-Z, Cam’ron, Damon Dash, Busta Rhymes, and 50 Cent. To this day, officers create reports about rap shows in NYC, naming artists they believe are gang members or that have rivals who may show up looking for trouble. Derrick Parker, the man who initiated the "hip-hop police", says the squad is "for their [rappers'] safety”. Complex reports they don’t just make reports about who is going to be appearing at a club - they also intimidate club owners into canceling events. “They’re a shadowy specialized unit that conducts overly aggressive investigations that monitor every move of entertainers”, says Dawn Florio, who has represented a number of rappers, “to me, it's like stalking at the highest level... This unit is really out of control”.

Rage Against the Machine were a target to some fan criticism due to band's "political opinions", with one fan saying "music is my sanctuary and the last thing I want to hear is political bs when i’m listening to music". RATM's Tom Morello answered kindly - "Scott!! What music of mine were you a fan of that DIDN’T contain 'political BS'?. I need to know so I can delete it from the catalog". Lawyer Elisabeth Ryan, Morello's Harvard colleague, was more straightforward saying - "What machine did you think they have been raging against for decades? The Ice cream machine? The ATM? Lawnmowers?".

Billie Eilish shared her anger over the killing of Rayshard Brooks in an Instagram post - “man FUCK. watching this video made me so fucking angry”, she wrote aside a photo of Brooks. “FUCK THIS SHIT. JUSTICE FOR RAYSHARD BROOKS. FUCK THIS SHIIIIIIIIT. #justiceforrayshard !!!! WHY ISNT EVERYONE TALKING ABOUT THIS??”, Billie Eilish added. On Friday, Brooks was shot in the back and killed while fleeing after Wendy’s employee called police to report a man sleeping in their drive-thru, Billboard reports. Eilish’s brother Finneas also reacted to the murder via Instagram: "Asleep in his car in a parking lot. Shot to death. Don’t let yourself be numb to this. Don’t let the world stay this way”. In similar news, Beyoncé has shared an open letter on her website to Kentucky Attorney General Daniel Cameron, seeking swift justice for Breonna Taylor, the 26-year-old emergency room technician who was killed in her home by Louisville police, Time reports. Also, Barbra Streisand has gifted her Disney shares to the young daughter of slain Minnesota man George Floyd, CNN reports.

“Just the idea of playing a gig – we’d play a gig for an empty room, really. We’re super keen to get out there” - surf rock duo Hockey Dad told Guardian about their concert in July while 400 carloads of fans watch from behind their windscreens. Drive-in festival Airwaves will happen on the Sunshine Coast for three nights from 10 July, headlined by the Chats. The Drive-In is a “live entertainment precinct” about to happen in Melbourne, offering weekly live music. Drive-in Entertainment Australia plans to launch around the country next month...

Eminem listed his selection of the best rappers of all time on Twitter, saying that "in no particular order" it was a "toss up between" Lil Wayne, 2Pac, Royce Da 5'9", Jay-Z, Redman, Treach, Kool G Rap, Biggie, and Kxng Crooked, XXL reports. In a second tweet, he added, among others, a few younger ones - LL Cool J, Nas, Joyner Lucas, Kendrick Lamar, J Cole, Andre 3000, Rakim, and Big Daddy Kane.

Lil Baby returns to No. 1 on the Billboard 200 albums chart with his latest release 'My Turn', with 65,000 equivalent album units earned, Billboard reports. It’s the second week at No. 1 for the album, following its debut atop the chart in March. 'My Turn' tallies the smallest sum for a No. 1 album in over a year, in a slow week for new albums - there were no debuts inside the top 40 of the new chart. Last week, the Atlanta rapper released the song 'The Bigger Picture' in response to the national protests over police brutality.

BMG's M.I.A. and Andre 3000

Music company BMG has pledged to address "inequities or anomalies" in the record contracts of black artists, following criticism of widespread financial inequality in the music industry, Music Business Worldwide reports. BMG CEO Hartwig Masuch said the label was “mindful of the shameful treatment of black artists”, and would begin a review of historic record contracts within 30 days.

age Against the Machine's music has proven to be relevant now, decades after it was released - politically charged band’s 1992 self-titled debut is back at No. 174 on the Billboard 200 chart, Forbes reports. The debut LP features the classic 'Killing in the Name', which was written in the wake of Rodney King’s beating at the hands of the LAPD and the subsequent riots that followed. In addition to that, all three of RATM’s original studio albums - the 1992 debut, 1996’s 'Evil Empire', and 1999’s 'The Battle of Los Angeles' - climbed to the Top 30 of Apple Music’s Rock Albums chart.

"An artist who’s quite literally said nothing new for the last eight years, he suddenly turned very loquacious indeed, unleashing a series of dense, allusive tracks packed with thorny references to art, literature and pop culture" - Guardian's Alexis Petridis wrote in a review of folk great's new album. "'Rough and Rowdy Ways' might well be Bob Dylan’s most consistently brilliant set of songs in years: the die-hards can spend months unravelling the knottier lyrics, but you don’t need a PhD in Dylanology to appreciate its singular quality and power". NME's Mark Beaumont is equally impressed: "Arguably his grandest poetic statement yet, a sweeping panorama of culture, history and philosophy peering back through assassinations, world wars, the births of nations, crusades and Biblical myths in order to plot his place in the great eternal scheme". In a rare recent interview in the New York Times Dylan said his songs "seem to know themselves and they know that I can sing them, vocally and rhythmically. They kind of write themselves and count on me to sing them".

"Drab City make strangely cinematic music, full of flutes, vibraphones, soft vocals and glitchy beats" - Guardian writes in their newest "One to watch" segment about USA-Berlin duo. They've just released their new album 'Good Songs for Bad People' with "stronger, more haunting songs and a strangeness that feels fitting for our surreal times". Listen to the album in full at Bandcamp here.

Heavy is the pocket that holds million

Stormzy to donate £10 million

Stormzy has announced he will donate £10m in the next 10 years to “organisations, charities and movements that are committed to fighting racial inequality, justice reform and black empowerment within the UK”, Reuters reports. In 2018, he announced scholarships for two black students attending Cambridge university, expanding the scheme with two more in 2019. He and black YouTube influencer Courtney Daniella were credited with helping boost the number of black applicants inquiring about its courses, with an almost 50% increase in admissions between 2018 and 2019.

The independent music ecosystem has historically provided an alternative to corporate labels, broadcasting networks and other consolidated organs of power - InsideHook argues in favour of indie music scene in times of no shows. But the future is not dark - while small bands and labels might currently run on the thinnest of margins, it’s possible that it is precisely this thriftiness that will benefit them in the long term.

Nashville country trio Lady Antebellum have changed their name to Lady A, alluding in their letter to fans to recent weeks of Black Lives Matter protests across the United States and the world, New York Times reports. In the United States, the term antebellum, which comes from the Latin for “before war,” is generally used to refer to the antebellum South, pre-Civil War, and can be seen as a way of romanticizing plantation life while overlooking centuries of black slavery. The band said it took the name when it formed in 2006, as a reference to the “‘antebellum’ style home where we took our first photos”.

"I can’t say that I thought this would happen, because it’s one of those things - you know, my 20-year old self or my 15-year-old self would never have thought that would happen" Aaron Dessner told Stereogum about working with Michael Stipe, since R.E.M. were such a bih influence on The National - "but more recently, it seemed like more of a dialogue". The band is quarantined now, which is a huge difference, for The National in particular - "we’ve played so many shows for 20 years, and now who knows when that will come back. One of the negative sides of a really intense arc as a touring band is there are big gaps in your memory because you’re so exhausted. It’s an amazing job, and we’re so lucky and grateful for that. But one of the things that is maybe sometimes bittersweet is you miss a lot of normal rites of passages and people’s birthdays and such".

A great little indie label One Little Indian - home to Björk, the Sugarcubes, Olga Bell, Cody Chesnutt, and more - has changed its name to One Little Independent Records, Flood Magazine reports. Label's founder Derek Birkett decided to change it this week after receiving an “eye-opening letter from a Crass fan” that made him feel "equally appalled and grateful to them for making me understand what must be changed”. He apologised "to anyone that has been offended by the name and the logo“ and admitted he recognises "now that both contribute to racism and should have been addressed a long, long time ago”. Birkett is making donations to organizations such as Honouring Indigenous Peoples Charitable Corporation and the Association on American Indian Affairs on behalf of the label.

"Just last week Billie Eilish told an interviewer: 'sometimes I feel trapped by this persona that I have created'" - NME's Mark, My Words writes, and offers her advice - "History tells her that she’d best change it sharpish, or she’s liable to get lumbered with it for good". The power of an image is paramount in music, Mark says - "If Slipknot drummer Jay Weinberg suddenly developed a debilitating allergy to gimp gear and nail wigs, they wouldn’t ditch the masks in solidarity – they’d be taking forehead measurements for a new drummer".

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Music industry journalist Eamonn Forde has put forward a new set of rules that could improve concerts for everyone; via Music Business Worldwide:

1) No guestlist tickets for at least a year

2) Anyone talking during the performance is immediately ejected and banned from every concert venues and festival for six months

3) Anyone taking photos or videos during the show will have their phone smashed with a lump hammer in front of their eyes

4) Buy as much merchandise as you can afford

5) The end of hidden booking and/or processing fees

6) Loyalty cards for regular concertgoers

7) No U2 shows until at least 2035

Sympathy for the drummer

100 greatest drummers of all time

Rolling Stone is celebrating the life of the deceased Rolling Stones drummer Charlie Watts with a (repeated) list of 100 "kings and queens of slam". An interesting list, starting with Christian Vander from the French prog-rock band Magma, and finishing with Led Zeppelin's John Bonham.

Spencer Elden, who was the baby featured on the cover of Nirvana’s 'Nevermind' reaching for a dollar in a swimming pool, now a 30-year-old, is suing Nirvana, its individual surviving members, Kurt Cobain’s estate, photographer Kirk Weddle, and the labels involved in releasing the album, alleging that the 'Nevermind' cover is child pornography. According to Elden’s lawsuit, neither his legal guardians nor he (obviously, as he was four months old at the time) consented to his naked genitalia appearing on the 'Nevermind' cover. He alleges that the band promised to cover his genitals with a sticker, which was never incorporated into the album art, and that Cobain, Krist Novoselic, and Dave Grohl failed to protect him from being sexually exploited. He is hoping to receive $150,000 from each party named in the lawsuit, TMZ reports.

Charlie Watts in 1965

Charlie Watts, longtime drummer of The Rolling Stones, has “passed away peacefully in a London hospital earlier today surrounded by his family” at the age od 80, NME reports. Watts joined The Rolling Stones shortly after their formation in January 1963. He was the only member of the band other than Mick Jagger and Keith Richards to have been featured on all of their studio albums, and also never missed a gig.

"Folks like Diddy, Jay Z, and Master P are in their 50s, healthy, and wealthy. Music was their gateway to other businesses... Kendrick is rarely mentioned among hip-hop's highest earners. Forbes once wrote an article about how Kendrick is not a cash king!... For years, Kendrick looked past most business partnerships and stayed focused on music. His love for hip-hop is admirable, but it's hard to ignore trends of older artists who focused on business early on and are still living well" - Trapital's Dan Runcie writes about the announcement that Kendrick Lamar is leaving the TDE label after his new album is released.

China’s Ministry of Culture and Tourism has banned any music that breaches a fresh set of government rules from being played within the country’s near-50,000 karaoke venues. Among other rules, tracks deemed “contrary to public morality”, and/or content “that which insults or defames others” will be banned from October 1. The new set of rules are most likely to target domestic Chinese music and, in particular, Chinese hip-hop.

"The first songs to express personal emotions and individual aspirations appeared more than 3,000 years ago in Deir el-Medina, a village on the west bank of the Nile. By seeming coincidence this was also the location of the first successful labor protest in history, when artisans launched a sit-down strike that forced 'management' - Ramesses III in this instance - to increase grain rations. Is it just by chance that a major musical innovation and a historic expansion in human rights took place in the very same (and tiny) community?" - music writer Ted Gioia asks in his great article about the connection of art and activism.

Kwaito dancing

The Face brings a brief history of some of Africa’s most exciting modern music genres. Kwaito was born as a voice of South Africa’s Black population and liberation from Apartheid. Amapiano is kwaito's derivate made in the same country. Singeli is a fast-paced, jangly offshoot of the party-friendly bongo flava genre, sped up to between 180 and 300 BPM. Asakaa is also known as Ghanaian drill. Coupé-décalé is characterised by soaring guitars, triumphant horns and lilting basslines.

"A fascinating look at a fascinating article" - Music Journalism Insider writes in an announcement of the latest edition of their Notes On Process segment. MJI's Todd L Burns talked to music writer Simon Reynolds about his 1992 Melody Maker article 'Gathering of the Tribes' about a free party that drew tens of thousands of ravers to the English countryside. MJI shared Reynolds' final draft and the article that came out in the UK music weekly. A great read!

“I cannot imagine a society without music, it would be a dead society, I don’t know how it could survive. You can’t take music out of the hearts of people” - Ahmad Sarmast, the founder and director of the Afghanistan National Institute of Music, told the Guardian after the Taliban overtook Afghanistan. The Institute also encompasses the Afghan Women’s Orchestra, which has become a “symbol of the emancipation of women”.

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