"Drinking from the same ancestral well that informed earlier radical Black music is integral to Irreversible Entanglements’ approach: after all, they are passionate and angry for many of the same reasons as the aforementioned [the Last Poets, the New York Art Quartet, Archie Shepp], because far too many of the circumstances remain the same. The fight isn’t over... It’s righteous music, hopefully as a prelude to righteous action" - The Quietus writes in a review of jazz/hip-hop band's new album 'Open the Gates'. "Although this ensemble boast conservatoire rigour, their revolutionary, Afrofuturist music is imbued with punk spirit, a love of ambient spaciousness and electronics" - Guardian insists.

Free-jazz band Irreversible Entanglements has shared 'Open the Gates' from their upcoming new album, a short and energetic, groovy-jazz song. Polyrhythmic percussion is expanded by alto sax and trumpet, as vocalist Camae Ayewa (aka Moor Mother) adds a sinister touch to the freedom song.

"Like garage rock or traditionalist country, jazz in the 21st century is retro by default, a bygone sound echoing into the present from a different era. Yet this band charges its decades-old discipline with a distinctly modern perspective. They tap directly into the cacophony of these times and connect it to the tumult that has been percolating since before people were making records" - Stereogum says about 'Who Sent You?', the new album by nu-jazzers Irreversible Entanglements. The US band is fronted by poet Camae Ayewa who "spouts revolutionary rhetoric over harrowing electronic soundscapes, resulting in deeply challenging protest music that prioritizes unfiltered expression over conventional notions of accessibility".

"We take the ugliest parts of the world and make them beautiful" - the free-jazz/hip-hop band Irreversible Entanglements say about their new song 'Who Sent You'; Ash Koosha has released a cool new video for his meditative and intense track ‘Dive’, Perfume Genius is back with "music to both fight and make love to" with 'Describe'; R.A.P. Ferreira goes into trippy, jazzy territory in 'Leaving Hell'; Nordic dark folk band Wardruna combine modern and traditional on 'Gra'; Body Count go political again on 'Bum-Rush'; P.E. mix post-punk and electronica on 'Pink Shiver'; Welsh producer and vocalist Kelly Lee Owens samples the sounds of glacial ice melting on ‘Melt!’ to impressive effect; similarly, Field Works turns the echolocations of endangered bats into ambient on 'Ultrasonic'; singer/producer Velvet Negroni released a hard-hitting, psychedelic R&B song 'Bagette'; 'Crunch' is a noisy indie rock song by Jordana; It Only Ends Once is an interesting blend of screamo, black metal, and post-rock; Injury Reserve continue their avant-rap path with 'Hoodwinked'; Dirty Projectors described their new song 'Overlord' as "Joni Mitchell’s ‘Both Sides Now’ for an Amazon Prime world”; White Stones go in psychedelic prog-death metal direction on 'Drowned In Time'; XL Recordings co-founder Richard Russell released a Ghostface Killah collaboration '03:15AM/Caviar'; Elder present their concept album about the lifespan of a civilization with 'Embers'; Disclosure go to the dancefloor with 'Tondo'; 'Sandwiches' by Gordi is a usual-sounding song, but there's a special kind of wormth to it; Methyl Ethel go into sympho-indie territory with 'Majestic AF'; The Magnetic Fields don't need much explaining with a song titled 'The Day the Politicians Died'.

Some great songs today: Moses Sumney takes a sweet spot somewhere between soul, folk and electro on 'Conveyor', latest song from his double debut album 'græ'; Bat for Lashes plays a stripped-down cover of 'The Boys Of Summer'; free jazz meets afro-pop on 'No Mas' by Irreversible Entanglements: just a nice dream-pop song 'The Absence of Bird' by the Swedes The Radio Dept; some original gangsta rap on 'The Ruler' by Drakeo; the Voidz continue to have fun + be cool + avoid getting ridiculous on two new songs - 'Russian Coney Island' and 'All the Same'; simple and fun video for '3 Tearz' by Danny Brown and Run the Jewels; Swedish dream-pop artist I Break Horses go ethereal on 'Death Engine'; Makaya McCraven’s dreamy reimagining of Gil Scott-Heron’s 'I’m New Here'; Basia Bulat made 'Already Forgiven' based on the sound of strong wind; James Elkington plays lush orch-pop on 'Nowhere Time'; the Colombian-Canadian singer Lido Pimienta goes latin-synth pop on 'Eso qeu tu haces'; KennyHoopla is halfway between Bloc Party and A-ha in his 'how will i rest in peace if i’m buried by a highway?//' video; Spanish quartet Melenas play disco shoegaze on '3 Segundos'; Indonesian solo sympho-black metal project Pure Wrath is seeking truth and peace at 'Children of the Homeland'. Plenty of songs, dedicate an hour to listen to all of it...