In the week ending March 19, overall album sales in the U.S. fell 29% to 1.52 million copies - the lowest such number since albums became a format in the mid-1960s, Billboard reports. The purchase of physical media (CDs, vinyl LPs and cassettes) also hit a low, as last week marked the first time ever that physical album sales fell below 1 million (just 979,000 copies sold, a dip of 36% to the week prior), the first time weekly physical album sales fell below 1 million in the Nielsen Music/MRC Data era. The lackluster sales numbers can be attributed to the shuttering of physical record stores across the country in addition to Amazon’s decision to cease stocking vinyl in favor of more “essential” items. Still, vinyl is the bright star of album sales - so far in 2020, total vinyl album sales stand at 4.88 million (up 42.2% year-to-date). Further, vinyl album sales comprise 22.6% of all albums sold in 2020, and 33% of all physical albums sold.

Eluize

“I have adopted the mindset that this is some kind of reset button that needed to happen, not just for me, but for everyone" Born Electric maestro James Zabiela told DJ Tech Tools about spending time in big lockdown. Berlin-based tastemaker Eluize says she jogs to release tension, and rising techno talent BEC meditates to achieve "relaxation and inner-peace". Canada’s BLOND:ISH believes we should try and see the positives to take from the situation - “Behind every closed door is an opportunity. This pause is a time for reflection, to step back and get creative with our freedom of time... Resources are endless to get ahead and learn a new skill, use this time wisely”.

Billboard has compiled a rundown of music companies who have pledged their support during this time of the big shutdown, which resulted in lay-offs and cuts. The independent concert promotion and production company has launched the I.M.P. Family Fund to assist the company’s hourly employees. Streaming service Mixcloud is waiving its revenue share for the recently-launched Mixcloud SELECT platform. British collecting society PRS For Music has launched the PRS Emergency Relief Fund to support members affected by the pandemic. Music service Qobuz is waiving its revenue share on all download sales. The music-centric finance firm Sound Royalties has dedicated $20 million to offer a no-cost royalty advance funding option on every new application. Music Business Worldwide asks whether the music industry can do more to help artists and songwriters whose income has been hit by coronavirus?

Guardian calls it "the best album of the year so far" with songs "genuinely good enough to be compared with peak Dylan" (gave it 5 of 5 stars. Pitchfork tagged it Best new music because "'Saint Cloud' is all lilacs and creek beds, Memphis skylines and Manhattan subways, love and sobriety, the sound of a cherished songwriter thawing out under the sun" (grade 8,7). Consequence of Sound calls it "incredibly authentic" (gives it A-).

The world-famous Abbey Road zebra crossing has been repainted while the streets of London are empty because of the quarantine set forth due to coronavirus pandemic, Insider reports. The zebra made famous by the Beatles was quietly repainted on 24 March by a highways maintenance crew, the day after the UK prime minister ordered Britain to go on lockdown. The government designated the crossing a site of national importance in 2010, which means the crossing can be altered only with the approval of local authorities. Abbey Road Studios, just down the road from the iconic zebra, closed their doors for the first time in their 89-year history earlier this week to limit the spread of COVID-19.

Amazon Music is celebrating 25th anniversary of Ol’ Dirty Bastard’s landmark debut solo album 'Return to the 36 Chambers' with the 'Unique: 'Return to The 36 Chambers' 25 Years Later' documentary. ODB's family, RZA, Raekwon, and others provided commentary for the 17-minute short film that traces ODB’s rise from unsigned hype to household name, exploring key moments in the rapper’s life and the music that defined his debut solo record – from ‘Shimmy Shimmy Ya’ to ‘Brooklyn Zoo'.

Time so spare, 'casts to share

The best music podcasts

Complex did a great job listing the very best music podcast, featuring various 'casts: Dissect explores albums that have been heralded as “genius”; Rick Rubin's Broken Record; Disgraceland - one of the most unique and entertaining shows on this list; The Roots' Questlove has a podcast Questlove Supreme with entertaining behind-the-scenes stories you've never heard from the guests, plus gems of wisdom from Questlove himself; A Waste Of Time produce some of the most interesting, unheard stories in hip-hop; And The Writer Is... explores the relationship between songwriters and singers.

XL Recordings is one of the most successful independent record labels in the world - home to the Prodigy, Adele, Dizzee Rascal, Radiohead, White Stripes, etc. - and its founder Richard Russell, now 49, has written an autobiography, 'Liberation Through Hearing', that details how it happened. Alexis Petridis talked to Russell, who shared interesting insights and stories. About Prodigy's frontman Keith Flint: "Keith was untethered, so if you saw him onstage at a rave, you were seeing yourself, but a completely free version of it, no self-consciousness". He signed Dizzee Rascal after hearing his single 'I Luv U', then told him to hurry up making his debut album because he wanted to win the Mercury Prize. He signed the White Stripes,  M.I.A. and Radiohead, decided to track down Gil Scott-Herron, undeterred by the fact that the singer-songwriter was in prison. Adele in a different story - Russell insists her success is down to the label leaving her alone to do what she wanted: “Does anyone achieve that kind of thing because of anybody else?".

TIDAL is streaming 12 hours of filmed concerts by JAY-Z, Rihanna, Meek Mill, Beyoncé, and others - on Saturday (March 28) Tidal will air hip hop concerts, and on Sunday (March 29) it will broadcast R&B. Montreux Jazz Festival has made over 50 festival concerts available to stream for free, including performances by Ray CharlesWu-Tang ClanJohnny CashNina SimoneMarvin GayeDeep PurpleCarlos Santana, James Brown. Austin City Limits is streaming the last three years of performances. LA’s The Grammy Museum has started sharing previously unreleased Q&As and performances with musicians online for the first time. Today (March 27) Elvis Costello will stream specially pre-recorded message and performance at 7:30 p.m. New rock hopefuls Porridge Radio perform at 2 p.m ET. Peter Bjorn and John co-host a 36-hour marathon livestream on Twitch called “36h Ingrid,” running from 9 a.m. ET Friday through Saturday at 10 p.m. ET.

tify is rolling out a suite of new features and projects intended to help artists who are struggling financially due to the coronavirus crisis, Billboard reports. First up is Spotify's new COVID-19 Music Relief project, which helps connect musicians and other music professionals in need of funding to grant-giving organizations, in addition to helping fundraise. Spotify will match donations made via the project's webpage dollar-for-dollar for up to a total Spotify contribution of $10 million. Next, Spotify is working to add a new feature to its Spotify For Artists platform that will enable artists to fundraise directly from fans, and Spotify will not take any cut of the contributions. Spotify's music talent marketplace SoundBetter is waiving its revenue share, it's audio recording platform Soundtrap is offering extended free trials for educators, and podcast firm Anchor is waiving fees on its Listener Support feature.

"'3.15.20' is visionary, funny, confounding, complex and simple, super easy on the ears, full of bangers, without once seeming brattish or self-obsessed or, ever, stupid. It weaves a hyper-potent magic spell, as Glover lazes around like a goon, then casually unwraps proverbial, sensual and social truth-bombs for the ages" - the Quietus says in a review of Childish Gambino's new album.

Whatever people they want, that's what we don't

Arctic Monkeys: Playing older songs feels like karaoke

Arctic Monkeys drummer Matt Helders has said that the band are often reluctant to play their older material because"it feels like we’re doing karaoke of our own songs”, NME reports. Helders says their older material feels "like a caricature. It doesn’t feel as genuine playing it anymore. I'd rather they [the fans] just have the memory of a version where we really meant it, rather than we’ll do this for you”.

In the time of self-isolation during the COVID-19 pandemic, the internet usage is going through the roof, so YouTube is already taking the preemptive measure of cutting its video quality worldwide due to some massive traffic surges. At first it was limited to Europe, now the streaming service has decided to limit video resolution across the globe, Bloomberg reports. The YouTube initiative started Tuesday (March 24) and will last for at least a month. However, users will still have the option to stream in high definition if they want; it just will no longer be automatic.

Billboard sees grim future for the indie live music business when concerts start happening again: After the big shutdown, billions of dollars in ticket revenue and artist payments were frozen in accounts controlled by, respectively, Live Nation and AEG, and the four major talent agencies: WME, Creative Artists Agency (CAA), Paradigm and UTA. Everyone else in the business — indie promoters, staging companies and food/merchandise vendors — continued to receive bills but not the money they were counting on to pay them. When concerts do start happening again, the industry behind them will have changed significantly. Venue contracts will be renegotiated to account for months of inactivity, and the brands that sponsor tours and festivals will almost certainly slash their budgets. Most importantly, at least some indie promoters (and promoters that lack the resources of their larger competitors) may shutter, unable to weather the storm or get the credit they need to endure it — leaving their giant rivals with even more power.

Carl Gari & Abdullah Miniawy

The German federal government has allowed aid package for the country’s creative and cultural sectors with €50 billion in grants and loans, Artnet reports. Culture minister Monika Grütter said “the creative courage of creative people can help to overcome the crisis... Artists are not only indispensable, but also vital, especially now”. In the US, songwriters, along with other “gig economy” workers in the music industry ranging from producers to roadies, will be eligible for grants and loans under the $2 trillion (that's a 1 with 12 zeros following) stimulus bill passed by the US Senate in response to the coronavirus pandemic, Variety reports. The coronavirus stimulus bill gives the music industry a fighting chance, Rolling Stone comments.

'Persona Non Grata' is a first new Bright Eyes song in 9 years, a bagpipes waltz; Nadine Shah rejects the traditions of marriage and family and yet still longing for them on 'Trad'; Scottibrains released 'Aristorats', an energo-ambiental song devoid of genre; Highly Suspect's new song and video 'These Days' have a family dinner turned nightmare; UK post punk band Squid released a tense new song 'Sludge'; Anglo-Ugandan electro-percussion outfit Nihiloxica are back with another outstanding new track 'Tewali Sukali'; Deerhoof “wanted to express what it feels like knowing that the rebels are our only hope" on their new song 'Future Teenage Cave Artists'.

Code Orange live online

"After a weekend of watching a number of impressive online performances, I am beginning to feel a little better about things" - the Quietus wrote about online concerts in a time of general shutdown. Why? - "It's actually pretty good, this live-streaming lark. You don't have to squeeze through a sea of bloated hoodies to nip to the toilet and back. No one is standing in front of you filming the entire set for their YouTube channel because it basically already is one. The drinks are cheaper. Before you attend, you don't have to worry about what you're going to wear to the gig anymore. Be as uncool as you like, people, nobody's judging you anymore".

Dr. Dre’s 'The Chronic', 'Cheap Trick at Budokan', Tina Turner’s 'Private Dancer', Dusty Springfield’s 'Dusty in Memphis', the Whitney Houston song 'I Will Always Love You', and Village People’s 'Y.M.C.A.' are among the new batch of records to be archived in the U.S. Library of Congress, the LA Times reports. Other records deemed “worthy of preservation because of their cultural, historical and aesthetic importance” include 'Fiddler on the Roof' Original Broadway cast from 1964, WGBH broadcast of the Boston Symphony on the day of the John F. Kennedy assassination etc.

London band Sorry took several years to define their sound and made it - quite undefinable. "Their official debut, '925', bears all the characteristics of hungry, wandering minds not tied to pre-established structures" - Stereogum writes in a review, and adds - "in approach and nature, '925' could only come from kids raised on the internet: run-on sentences, half-thoughts, a tendency to take a bit of everything and throw it together in unexpected and idiosyncratic ways". Generally, Sorry are "still a rock band, it’s just that they make a rock music that doesn’t follow contemporary context or logic. Theirs is an artier strain that is broken down and rebuilt over and over, constantly bristling against the confines of the form... This is the sound of rifling through debris, and the strange new things you can build with what’s worth saving".

Britney Spears shared a graphic by the writer Mimi Zhu on her Instagram, which included the line: “We will feed each other, re-destribute wealth, strike”. Spears captioned the graphic: “Communion moves beyond walls” and added three red rose emojis, a symbol associated with the socialist cause online, Complex reports. Zhu said on Twitter that she was “really grateful” that "comrade Britney" had shared the post, because "she moved me a lot while I was growing up". Spears has been under her father’s conservatorship since February 2008 and does not control her own fortune or business decisions, including her lucrative Vegas residency.

Lyra Praum is a classically trained musician who recorded her debut album 'Fountain' using only her voice - the rhythms, the melodies, the textures, it’s all her, heavily processed. Pitchfork is deeply impressed by the concept calling it a "technological excavation of her own body’s resonant possibilities inside a tender vision of a post-human future", and "an oh-so-timely reminder that the body is a site of infinite possibility".

Last week, in the shadow of the coronavirus outbreak, R.E.M.’s 1987 classic 'It’s the End of the World as We Know It (And I Feel Fine)' unexpectedly re-entered the American singles charts. 'End of the World' was the 22nd most purchased song in all-genres last week, which pushed it, combined with 1.7 million streams, to No. 4 on the Billboard Hot Rock Songs chart. Some other songs saw unexpected sales as well - Disturbed’s 'Down With the Sickness' and Gloria Gaynor’s 'I Will Survive' are both popular at the moment, as is The Knack’s 'My Sharona', just because it rhymes with “corona”. Similarly, riding the COVID-19 wave are songs with especially thematic titles, like Shwayze’s 'Corona and Lime', The Minutemen’s 'Corona', 'Isolation' by Joy Division, and 'Quarantined' by At the Drive-In.

Nashom Wooden, also known as drag performer Mona Foot, has died at age 50 after a short illness, that was reportedly COVID-19, the New York Times reports. A legendary downtown NYC personality, Mona Foot was a popular drag performer whose Wonder Woman act was iconic, and he was also one third of The Ones, who scored a club/UK hit with 'Flawless', the 2001 song later covered by George Michael.

Paul Heaton and Jacqui Abbot, formerly of the Beautiful South, have announced they will play a free show for NHS staff (UK's National Health Service) working on the frontline of the coronavirus pandemic. According to the BBC, the duo are giving away 9,000 tickets to "doctors, nurses, support workers, porters and cleaners" for the show in Nottingham in October. "We are just musicians, so there is little we can do but sing for you", Heaton and Abbot said.

Bill Rieflin, a Seattle-based drummer with an impressive list of associations, has died of cancer aged 59, Ultimate Classic Rock reports. His first big gig was with the industrial band Ministry, without ever becoming an official member of the group. After playing with the Revolting Cocks, an industrial project involving Ministry founder Al Jourgensen, he worked also with Swans (he’s listed as an “honorary Swan”), KMFDM, Pigface, Chris Connelly, Lard, and he also played on one song on Nine Inch Nails’ 'The Fragile'. Via his gig drumming for the Minus 5, Rieflin met R.E.M.’s Peter Buck, who invited him to join R.E.M. as a touring member and studio contributor from 2003 until the band’s breakup in 2011. Rieflin also spent many years performing with the legendary prog band King Crimson, doing stints as both a drummer and a keyboardist for the group. It seems he liked super-groups as well - he drummed for Filthy Friends, band led by Peter Buck and Sleater-Kinney’s Corin Tucker, for Krist Novoselic’s post-Nirvana band Sweet 75 and even drummed on a Robbie Williams album.

The people making this possible - The National live

The National have announced a merch-sale campaign to help out their road crew while everyone’s grounded due to coronavirus. "We will direct all profits from merch sales through our webstorenew Cherry Tree fan club enrollments, and sales from the Cherry Tree members-only store to support our crew members throughout this crisis to the best of our ability" - the National announced. Soccer Mommy did a similarly generous thing - Sophie Allison took to Twitter to announce that she would be selling T-shirts and posters and giving all the proceeds to her band and crew while they aren’t able to work.

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Better than the Belgian chocolate

Great mix - the year of 1937

Centuries of Sound is making mixes for every year of recorded sound, and this time around it's the year 1937. The artist that marked the year was - Django Reinhardt, a self-taught, illiterate guitarist with only 8 fingers who would change the face of jazz, and music as well. That year also had Stephane Grappeli, Ella Fitzgerald, Duke Ellington, Count Basie, Robert Johnson and so many more.

"Morgan Wallen's 'Dangerous' is far and away the biggest album of 2021 in the US so far: It has netted 241,000 album sales and 2.3 billion audio streams, blowing out of the water any of the runner-ups" - Rolling Stone looks back at the numbers of the album stained by the racial slur scandal. What does that mean?: "Wallen is not a dysmorphic product of a toxic genre or niche fanbase growing like fungus in the armpit of some much healthier and more noble thing. He’s America. America loves him. Nobody wants to say it".

IDK / Vince Staples

"Produced entirely by Kenny Beats, the album’s reserved musical approach magnifies the blunt scene-setting Vince has used to build his name over the last decade" - Pitchfork reviews the latest Vince Staples' album. Guardian deems it "much more personal and accessible than anything he’s put out before". "A record that evolves in real-time, ‘USEE4YOURSELF’ finds IDK speaking his truth. An amalgamation of styles that recalls the frenetic creativity of 00s Kanye, the record finds strength in personal revelation, with IDK often at his most individual when surrounded by his peers" - Clash Music reviews the latest album by IDK. NME points out how "talking about how following his dreams has led him to a happier life gives the record an optimistic ending".

Smaller labels and artists who once helped kickstart the vinyl comeback a decade ago are starting to bow out, Pitchfork reports. Production capacity has been especially squeezed since COVID-19 lockdowns disrupted supply chains; the global demand for vinyl albums was recently estimated at twice the available supply, causing the turnaround times for independent artists to expand to a whole year - up from two to three months in times of less demand.

Among dozens of nominees for this year's Emmys, there are some music ones. Apple TV’s 'Billie Eilish: The World’s A Little Blurry' documentary is up for three awards, whereas David Byrne’s HBO special 'David Byrne: American Utopia' has been nominated in eight categories. The New York Times’ docu 'Framing Britney Spears' is up for two awards. Elsewhere in the nominations, Cynthia Erivo picked up a nod for Outstanding Lead Actress in a Limited or Anthology Series or Movie, for her role portraying the late Aretha Franklin in the National Geographic miniseries 'Genius: Aretha', whereas Marcus Mumford is nominated for his 'Ted Lasso' theme, in the category of Outstanding Original Main Title Theme Music. Check the full list at EW.

The Who's career-spanning documentary, 'Amazing Journey: The Story of the Who' is now available to stream for the first time on the Coda Collection. Anchored by interviews with Townshend and Roger Daltrey, the film tracks the band’s rise and career, and features a trove of previously unseen footage and performance clips. 'Amazing Journey' was directed by Murray Lerner and Paul Crowder and first released in 2007.

The A.I. Song Contest is an international competition exploring the use of A.I. in songwriting, which started last year and uses the Eurovision Song Contest’s format for inspiration, the New York Times reports. The contest welcomed 38 entries from teams and individuals around the world working at the nexus of music and A.I. They used deep-learning neural networks — computing systems that mimic the operations of a human brain — to analyze massive amounts of music data, identify patterns and generate drumbeats, melodies, chord sequences, lyrics and even vocals. The resulting songs included punk thrash, electronic dance, and folk. After an online ceremony broadcast on Tuesday from Liège in Belgium, a judging panel led by the musician Imogen Heap and including academics, scientists and songwriters praised 'Listen to Your Body Choir' for its “rich and creative use of A.I. throughout the song".

Black Music and Black Muses writer affirms the beauty of whistling; a great essay on the pretty little skill: "What superfluous love and mischief lurks in a sudden whistle? What calling into being of what playfulness and what hysteria travels on the thin wavering line between gasp and gust we call whistling, a form of telling ourselves secrets in public, a polite diversion from the blankness of it all... Why not let lips pressed together lightly and spiraling the air into witness be friendly? What malice is there in absent-minded desire? Why not objectify one another on a whim and improvise high-pitched windows into the atmosphere to say hello. Why do we feel entitled to the hyper-reverent silence of monasteries as we pass the living on sidewalks, in cities, full of synaptic impossibilities that only noise can heal or render as ease instead of shame?".

The New Cue writers really like Shaun Ryder's new album 'Visits From Future Technology' so they talked to the former Happy Monday, touching the issue of today's technology and the possibility to work remotely. 25 years ago "the only thing I would have been doing would have been crack cocaine and heroin", Ryder says. Speaking about time passing, he says "the thing is, as you get older time goes really quickly. If you think to the five years you spent from 11 to 16, that seemed like a million fucking years. It's 11 years since I was in the jungle, but to me that's five minutes ago. And it's five minutes ago when I made this album". About his lyrics: "There's loads of metaphors in that and I can't fucking remember what they were doubling up for. You sort of smuggle and cover up lyrics but now I can't remember what I was fucking metaphoring about!".

Tyler Thackray is a former dreadlocked metalhead, and current Android developer who builds and then destroys violins in his spare time. There's a point in it, as the New Yorker states: "The notion that you can torture—or to be tortured by—a violin in the first place arises from our sense that the instrument is somehow alive, responsive, perhaps even agential... with a social life that intersects with other instruments, people, histories. So much of playing an instrument is having your existence dictated by its demands, to the extent that your body and your instrument come to seem inseparable... These are not instruments that anyone will miss, and @violintorture is ferrying them into a hitherto inconceivable afterlife".

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