Ted Gioia shares the latest installment in his series of essays on “Visionaries of Sound”, this time around about Leo Kofler, a man who Gioia says cured himself with music. At 23 years old, Kofler had been diagnosed with tuberculosis, a disease that killed most of his family. Kofler wasn't really much of singer, is appears, but what he did well was a breathing technique he developed. Kofler would live well into his seventies. Read the interesting story.

Music writer Ted Gioia has made a selection of the best online articles and essays published in 2023, including ones on music topics. Goia, among others, recommends “I Started Playing My Sax Outdoors. Then the Fans Came” by Harvey Dickson from the New York Times, “The Origins of Creativity” by Louis Menand from The New Yorker, as well as “How Alice Cooper Cleaned Up and Became a Pop Star All Over Again” by Dave Everley from the Louder Sound.

Music writer Ted Gioia recalls singer-songwriter Nick Drake who would have turned 75 today. "Drake is now more than a music star, almost an emblematic figure. And I say with some sorrow, but with complete conviction, that his life and times remind me of so many people nowadays who have been cast adrift in our society—suffering in ways spookily reminiscent of what he experienced fifty years ago."

"When I first studied philosophy, the course began with Socrates—he was the originator of Western rationalist thinking, or so I was told. You can draw a direct line from him to analytic logic and the codification of a scientific worldview. But where did Socrates get the idea of philosophizing? Strange to say, he got it from music" - music writer Ted Gioia argues in his new book 'Music to Raise the Dead'.

Music writer Ted Gioia remembers one essential bit of advice saxophonist Jimmy Giuffre gave him on organizational theory. "He explained that musicians played better when they were happier. Now that was a word I’d never heard in organizational theory class. Giuffre continued to spell it out for me—surprised that I couldn’t figure this out for myself. Didn’t I know that people are always happier when they were with their friends? So group productivity is an easy problem to solve. In other words, if my three best buddies played bongos, kazoo, and bagpipe, that should be my group."

An amazing story by Ted Gioia, who has discovered, with a little help from other music lovers, a song that has over 50 different titles, and over 50 different writers credits attributed to it on Spotify. There were other instances of the same phenomena on other streaming platforms, with other songs as well (mostly short and lousy). What's going on? "Spotify may be working to switch listeners from songs released by major labels to generative music, which could be licensed at low royalty rates or even purchased as a work-for-hire. Under this scenario, a streaming platform could lower its costs substantially, and improve profitability—but with the result of less money paid to flesh-and-blood musicians."

Music writer Ted Gioia shares a news section from his new book 'Music to Raise the Dead' about musicians being the first heroes, and songs as their superpower. He based his theory on ancient texts from Mahābhārata, the Bible, and others. How did it come to this? "Songs tap into a power that transcends representation... For many individuals, music is their only pathway into ecstatic mindstates. And even for the adept who has mastered the journey, the song is often the most important thing brought back from the trip—or, in many cases, music served as the engine that propelled it forward in the first place."

The music writer and romance expert is trying to understand and/or explain why do young people see jazz as romantic: "Romance has been rationalized in our lives, much like a factory process. All the unnecessary steps get bypassed. And from a purely pragmatic point of view, swiping through profiles on a phone app seems far more efficient than a slow, ritualized process of courtship and romantic bonding... There’s a death of enchantment in our culture—that’s the best term I can come up with for this phenomenon... In this situation, jazz starts to play an unusual role. It gets associated with the last generation that did romantic body-contact dancing on a regular basis. It’s perceived as the soundtrack for the ritualized apparatus of courtship. Just hearing it magically summons a nostalgic longing for a more romantic age".

Ted Gioia wrote a great obituary to jazz pianist Ahmad Jamal, who died on Sunday aged 92: "Other musicians have changed the sound of jazz in various ways. But Ahmad Jamal actually transformed time and space. He opened up an alternative universe of sound, freer and less constrained than what we had heard before. The rules of improvised music were different after he appeared on the scene... Ahmad Jamal sat down at the piano, and just floated over the beat."

"Each chapter is filled to the brim with insights, new information, and powerful writing. McCormick clearly had high literary aspirations at this juncture in his life. I suspect that he was trying to capture something similar to Truman Capote’s 'In Cold Blood', the most celebrated ‘true crime’ book of the era. McCormick presents himself in these pages as a musical detective on the trail of the most elusive guitarist in history, and successfully conveys all the uncertainty and suspense of his investigation" - music writer Ted Gioia presents 'Biography of a Phantom: A Robert Johnson Blues Odyssey', a book about the famous delta blues guitarist written by his friend Mack McCormick. The published book is the early version of the manuscript. The later version argued that Mississippi guitarist named Robert Johnson—admired all over the world today—didn’t actually make those famous blues recordings or anything really. Gioia explains.