“Maybe this might sound a little bit corny to people, but it was a spiritual feeling to me... It felt great to me – that distance thing, reaching out to something beyond the people” - jazz saxophonist Sonny Rollins tells the Guardian recalling his two years of playing on a New York bridge. Beginning in the summer of 1959, Rollins played the saxophone on the Williamsburg Bridge day and night, rain or shine, in solitary sessions of sometimes 15 hours or more, for two years. This month is the 60th anniversary of his return to the recording studio where he made - 'The Bridge'.