"Murder ballads are part of Appalachian, hillbilly, and country music traditions. But they also exist in blues, spirituals, and slave song traditions" - the author of excellent podcast Songs in the Key of Death writes in the Esquire on the origins of murder ballads. Courtney E. Smith argues there's segregation beneath: "Ice-T still faces derision for writing a song from the point of view of someone who is fed up with abuse from the police ['Copkiller'] but Johnny Cash is a hero for singing the lyric 'I shot a man in Reno just to watch him die'".

Like a darker Nick Cave song
July 08, 2021

Podcast: The Lawson family murders

"The Songs in the Key of Death podcast looks at the historic true crimes that inspired a selection of murder ballads. It combines music, true crime, history, and edge-of-your-seat storytelling". The latest episode goes into the Lawson family murders. "On Christmas Day 1929, Charlie Lawson committed the chilling act of murdering his wife and children. What’s darker is the reason why, according to some true crime authors. But are they right, and what do we know today about the rare phenomenon of familicide?".

The crime of being free
July 01, 2021

Podcast: The sexism of Omie Wise story

"When we talk about the sexism of murder ballads, 'Omie Wise' jumps to the forefront as one of the most prominent examples" - the Songs in the Key of Death podcast says announcing their latest episode, about the 19-century murder story. "Whether the true story involves a woman who was drowned because she became inconvenient or because she stood up to a no-good man, they both end the same way — with Naomi Wise dead, and many tales that got it wrong".

An interesting interview by the Music Journalism Insider with Courtney E. Smith, the host, writer, and co-executive producer of Songs in the Key of Death, a new podcast about murder ballads. What is it: "A historiography—it’s a storytelling podcast that examines the true crimes that inspired a murder ballad, the people who wrote the song or popularized it by singing it, and the historic times that both of those things happened in. It hopes to give listeners context around what was happening historically and when one of the most notable versions was performed. It also aims to explore how we’ve talked about these crimes in the past and what new information we have now that we should consider. Many of the songs don’t tell the real story or reflect the victim’s point of view. Giving them a voice and some life is a way to look again at a violent history".