The choice: Rosalia's 'F*cking Money Man' because it defies"the notion that effortlessly fun pop music must be shallow by default", Bon Iver and 'Faith' for sounding "exultant", Jenny Hval with 'Ashes to Ashes' - "a bit of dark synth-pop that is far more fun to dance to than dissect", Pharmakon with 'Self-Regulating System' because "self-cannibalism", […]