Loyle Carner shared his new Madlib-produced jazzy 'Yesterday'; 'Feel the Thunder' is a funny song - Haim trying to sound like Guns N' Roses, 'Welcome to the Jungle' to be specific; Makaya McCraven made a dubby jazz remix of Nuby Garcia's 'Source'; Your Old Droog features El-P, Black Thought, Mach-Hommy, and Tha God Fahim on 'Pravda'.
"The word jazz has very racist roots. It's totally inadequate in describing the breadth of music that has come out under its umbrella. And many of its founding players of the genre also took issue with the word as something that was not defined by them and was used to commodify their work. Miles Davis didn't like to call it jazz. Duke Ellington didn't like to call it jazz. Mingus didn't want to call it jazz" - drummer Makaya McCraven says in NPR interview. He explains further on - "So I think of 'jazz' — in quotes — as an aural tradition that you learn from playing and being around other people. And like aural traditions, they evolve and they move; it's not a stagnant thing for preservation. Like with an aural tradition, there's an actual physical touch". His new album 'Universal Beings E&F Sides' is out now.
Moses Sumney released 'Monumental', his interpretation of 'Olympic Hymn', accompanied by a stunning black and white video starring and directed by Sumney, featuring the musician singing the song on a pedestal like a marble statue come to life; Idles make a slight turn - release s tense psych-ballad 'A Hymn'; free jazz collective Standing On The Corner shared ‘G-E-T-O-U-T!! The Ghetto’ featuring a seven-year-old vocalist Annalise Chanel Renee Williams; Kanye West, again, has a good song - 'Donda', dedicated to his mother; King Gizzard & The Lizard Wizard shared a ballad 'Honey'; 'Order' by Zen Mother is just some mighty electro industrial; Helena Deland's 'Lylz' is about the "aching forever-after of female friendship"; Arcade Fire's Will Butler released his new, solo, uplifting song 'Surrender'; Makaya McCraven's 'Strangers in the City' is groovy and tribal jazz.
"The Chicago drummer and producer transforms Gil-Scott Heron's final album into a masterpiece of dirty blues, spiritual jazz, and deep yearning" - Pitchfork says in a review (8.6) of the last album by Gil-Scott Herron (2010), thoroughly reimagined by Makaya McCraven. Lyrically - "the ability to live with contradictions and give them life with his words is part of what made Scott-Heron’s work special, and McCraven’s music inhabits that complicated space and keeps its sharp edges intact".
Some great songs today: Moses Sumney takes a sweet spot somewhere between soul, folk and electro on 'Conveyor', latest song from his double debut album 'græ'; Bat for Lashes plays a stripped-down cover of 'The Boys Of Summer'; free jazz meets afro-pop on 'No Mas' by Irreversible Entanglements: just a nice dream-pop song 'The Absence of Bird' by the Swedes The Radio Dept; some original gangsta rap on 'The Ruler' by Drakeo; the Voidz continue to have fun + be cool + avoid getting ridiculous on two new songs - 'Russian Coney Island' and 'All the Same'; simple and fun video for '3 Tearz' by Danny Brown and Run the Jewels; Swedish dream-pop artist I Break Horses go ethereal on 'Death Engine'; Makaya McCraven’s dreamy reimagining of Gil Scott-Heron’s 'I’m New Here'; Basia Bulat made 'Already Forgiven' based on the sound of strong wind; James Elkington plays lush orch-pop on 'Nowhere Time'; the Colombian-Canadian singer Lido Pimienta goes latin-synth pop on 'Eso qeu tu haces'; KennyHoopla is halfway between Bloc Party and A-ha in his 'how will i rest in peace if i’m buried by a highway?//' video; Spanish quartet Melenas play disco shoegaze on '3 Segundos'; Indonesian solo sympho-black metal project Pure Wrath is seeking truth and peace at 'Children of the Homeland'. Plenty of songs, dedicate an hour to listen to all of it...
Rolling Stone presents eight US cities where big things are going on, this time around it's Chicago. Makaya McCraven, Angel Bat Dawid, and Nicole Mitchell are leading a major jazz renaissance - they're connecting Chicago’s long history of avant-garde innovation with inspirations ranging from hip-hop beats to Nineties post-rock. On the other side, there are hip-hop up-and-comers like Calboy, Polo G, and Lil Zay Osama, who have softened some of drill’s hard edges, pairing deeply honest lyrics with delicate melodies over lilting beats.
People behind Chicago label International Anthem like it to be defined as "boundary-defying music", or at least “jazz and its offshoots”, “jazz-identified music”, and “post-jazz” instead, especially with its two founders, Scottie McNiece and David Allen, coming from a DIY-punk scene. McNiece said they wanted to create publish music that was modern and less academic - “It was very important to us to create a more inviting entry point”. by now, they've released local musicians such as Makaya McCraven, jaimie branch, Damon Locks, Junius Paul, and Angel Bat Dawid.
