Australia’s take on the hyperpop is variegated and contested, producing some of the most vibrant and delightfully strange pop in the country - Guardian argues presenting the blooming genre. The stand-out artists at the moment at the continent are: Oh Boy, Ninajirachi ("glassy and exhilarating, drawing in club influences"), Donatachi ("all the kind of obnoxious elements of Top 40 pop, but dialled up to 11”), Cookii, Perto, Daine ("it’s [the genre]created a lot of room for people to experiment and still feel like they have mainstream appeal"), Muki, and Banoffee. Spotify playlist.

Video game sounds, abrasive distortion and emotional rap lyrics are a typical digicore cacophony, but that's not all - digicore artists also pull from genres as wide-reaching as midwestern emo, trance, and even Chicago drill, Vice writes in a profile. Everything about this scene of teen musicians - the kids of digicore are mostly between the ages of 15 and 18 years old - centres around the modern Internet landscape; from its origins, to its diversity, right down to how community-oriented it is, including everybody working from their bedroom.

"Born of the internet on dark mode, hyperpop is all the sugary sweet appeal of mainstream pop but soaked in steroids – a garish reflection of the all-you-can-eat hunger of the material world... Too much is never enough" - The Forty-Five says in their introduction of an impossible task - ranking hyperpop's 45 best tracks. The list ends with Danny L Harle, starts with Sophie, with 100 Gecs, Charlie XCX, Slayyyter, and many more in between.

Hyperpop pulls heavily from SoundCloud rap, emo, lo-fi trap, PC Music label, as well as from trance, dubstep and chiptune, Vice writes about the fluid genre. They hear Charli XCX, sonic fusionists/chaos-makers 100 gecs, glitchy rappers David Shawty, and animated electronic producers Gupi as representatives of hyper-pop. What is distinctive with this new genre is that its "identity is less rooted in musical genetics than it is a shared ethos of transcending genre altogether, while still operating within the context of pop".