Oneohtrix Point Never pays hommage to Swiss animator Georges Schwizgebel in the video for his new synth alter-pop single, ‘Long Road Home’; Tom Morello wrote 'Marching on Ferguson' for the film 'No Justice, No Peace', marking what would have been George Floyd‘s 47th birthday; The Bug releases moody, dark and cold new song 'You' featuring Dis Fig; US pop singer Demi Lovato released a protest song 'Commander in Chief'; Daniel Pemberton released a piece of good TV music for new drama 'The Trial of the Chicago 7'; The Body released intense, heavy, dark electro song 'A Lament'.

"I’m pretty sure it was the time I watched 'Schindler’s List' on Netflix that pushed me over the edge. If ever there was a movie where the credits were an integral part of the experience this was it. However, the second after Steven Spielberg’s name came up, the screen was shrunk to the size of a postage stamp and a massive advert appeared telling you to watch something else" - TV composer Daniel Pemberton writes in the Guardian, annoyed, by the cable-TV practice. "The end credit sequence is an unsexy but still important part of the film-going experience. It can be a key moment of contemplation, to assess, absorb and reflect on everything you have just experienced" - he argues.

So, in categories - for Best Original Score – Motion Picture the nominees are Alexandre Desplat for 'Little Women', Hildur Guðnadóttir for 'Joker', Randy Newman for 'Marriage Story', Thomas Newman for '1917', and Daniel Pemberton for 'Motherless Brooklyn'. Best Original Song – Motion Picture nominees include Andrew Lloyd Webber & Taylor Swift‘s 'Beautiful Ghosts' from […]