Cinephiles Bonnie “Prince” Billy and Matt Sweeney, who recently released a collaborative album 'Superwolves', made a selection of the best music films for Vice. The boys chose 'Gene Vincent: The Rock And Roll Singer' (1970) - "a tough watch, but a revealing study of a rare talent", 'Cisco Pike' (1972) - "music-infused crime film has earned a sizeable cult following", 'Oulaya’s Wedding' (2017)  - "astonishingly familiar feelings and ripping tunes", 'Payday' (1973) - "down and dirty character study of a country star indulging every vice under the sun as he hurtles towards annihilation", 'The Decline Of Western Civilization' (1981) - "a documentary about energy that's so loaded with power that it will never die", and other films.

Soccer96

A great alter-dance song 'I Was Gonna Fight Fascism' by Soccer96, a band by The Comet Is Coming members; Interpol frontman Paul Banks has formed a new band Muzz with Matt Barrick (of the Walkmen ) and Josh Kaufman (of Bonny Light Horseman) - shared a song 'Bad Feeling'; the other Walkmen member, Hamilton Leithauser has shared a song 'Isabella'; Berlin singer Sophie Hunger has a lovely new song 'Security Check'; Chromatics have shared a dark disco song 'Famous Monsters'; Courtney Marie Andrews shared a nice and pleasant song 'If I Told'; electronic producer Ital Tek got a child, moved to a barn and made a song ‘Deadhead’ about sleep deprivation; Bonnie “Prince” Billy got bouncy remixed on 'New Memory Box'; Dixie Chicks are back with 'Gaslighter', their first new song in 14 years; Jason Isbell released a great country rock single 'What've I Done to Help'; RMFTM have switched from electronics to post-punk on 'Eden In Reverse'; The Whitest Boy Alive by Kings of Convenience’s Erlend Øye released new single 'Serious', their first new music since 2009; Austra is back with an electro-pop smasher 'Anywayz'; Willie Nile vas visiting the family home when a line "a little bit of love goes a long, long way" hit him - 'A Little Bit of Love' was born; Gogo Penguin find the middle ground between post-rock, jazz and electronics on 'Atomised'; a great on-the-road song 'Late Jim's Lament' about being late by James Elkington; Osheyack has contributed original music to a new video installation by artist Shuang Li about mass-produced products as erotic objects; NY jazz group Onyx Collective got a hand (weel, actually voice) of art pop great Kelsey Lu for 'Where or When'; the title 'Come Back And Love Me<3' by the Hinds says it all; Butcher Brown's 'Tidal Wave' is about how jazz and rap came from the same soul.