BadBadNotGood are back where they left with Ghostface Killah - 'The Chocolate Conquistadors' with MF Doom goes totally into the psychedelic jazz-hip-hop territory; an interesting cover - a senior man named Frank Watkinson made a lovely folk-rock remake of Slipknot's 'Snuff'.

Avishai Cohen the trumpet player (not Avishai Cohen, the bass player) released a mesmerizing cover of 'Teardrop', a jazzy, post-rocky take on the classic; Khruangbin announced new album 'Mordechai' - influenced by reference sounds from Pakistan, Korea and West Africa - with the lead single ‘Time (You and I)’; Rufus Wainwright's 'Alone Time' is warm and rich in its simplicity; Bristol singer-songwriter Fenne Lily's new single 'To Be a Woman Pt. 2' is a "retaliation against subordination and a reclamation of power"; experimental musician serpentwithfeet is back with 'Apparition', an arty R'n'B EP; BadBadNotGood released two new songs - an R'n'B-ish 'Goodbye Blue', and jazzy 'Glide'; singer Amber Mark goes into male-female interaction in clubs in '1894'; London singer/songwriter Eve Owen has built, in collaboration with The National's Aaron Dessner, a big-sounding song 'Mother'; Samia released a folk song 'Is There Something In The Movies', with a cinematic video to go with; Thom Yorke released his new song 'Plasticine Figures', a piano ballad.

Jazz is more serious than other genres - jazz requires exactly as much or as little expertise to listen to and appreciate as anything else

Jazz was born in New Orleans - it emerged almost simultaneously in a number of different communities

Jazz must swing - jazz artists are prone to experimenting with unusual time signatures

Jazz musicians were (or are) on drugs - early propaganda designed to paint black communities as dens of iniquity, and create reasons to arrest them

Jazz is dead - it’s integral to hip-hop and vibrant jazz scenes in Los Angeles, Chicago, London, Canada