Last week, South London post-punk band Shame released their third album, 'Food For Worms'. The New Cue talked to frontman Charlie Steen about how different making of it was compared to their covid-album 'Drunk Tank Pink'. "When you’re writing for live, you’re not over-thinking it. You’re like, fuck transitions or whatever, it needs to go verse chorus verse chorus and we can deal with that stuff later. We did those shows and two months later we were in the studio making the album... I think you need to get to a stage for something to happen, you need to be at a crossroads for something to happen".

"Many of us got to witness a second breakthrough moment for hip-hop during the recent 65th Grammy Awards. Questlove of the Roots along with LL Cool J put their heads together and curated an incredible tribute to acknowledge hip-hop’s upcoming 50th birthday... It was an incredible tribute that was preceded by Kendrick Lamar winning Hip-Hop Album of the Year and the grand finale being an 8-minute song that featured DJ Khalid, Jay-Z and Rick Ross" - journalist and professor Dave “Davey D” Cook is looking back at 50 years of hip-hop in the Pollstar. "The hip-hop takeover of the Grammys was a reminder that hip-hop is deeply woven in the fabric of modern-day music and it is perched to reach even greater heights".

Neil Young performed last weekend in Victoria, British Columbia at the United For Old Growth march and rally, aimed at protecting old-growth trees and promoting “forest stewardship.” In his first live appearance since Farm Aid in September 2019 he said: “I’m only here for those trees up there. It’s a precious, sacred thing, these old trees. They show us the power of nature when we are being threatened. They show us the past. They show us our future. That’s something that I hope our Canadian government and business section will recognize. This has to do with Canada. It has to do with the ages, if we’re lucky enough to have ages. These trees have lasted so long. They deserve Canada’s respect.” Then he played 'Heart of Gold'.

"It is not about who’s the best; it’s about doing something to the best of your ability because it improves your life, and if you can watch it without wanting to run out and practise a thing that brings you joy, I will be very surprised" - Joel Snape writes reviewing 'The Piano'. The reality show arranges for some of Britain’s best amateur pianists to play on the country’s busiest concourses. Guardian calls it "utter delight". One of the performers was Lucy, a 13-year-old who is blind and neurodiverse, who played a highly-complex Chopin piece.

"In recent years, Kyiv’s vibrant and progressive dance scene earned the city the nickname 'new Berlin'. Amazingly, the war hasn’t stopped the scene from thriving, and many Ukrainian DJs and promoters have managed to make the most out of the dire circumstance" - Vice goes to Ukraine to check the pulse on the nation's clubbing scene. Harry Pledov, musician and event organiser, believes partying is important since it provides a feeling of normalcy - "as the war drags on, everyone understands the importance of partying.” Also, he notes that the war has given the Ukrainian electronic music scene a huge boost - “International DJs no longer dare to come because of the shelling. And we’ve gotten rid of anything related to Russian culture – the songs, videos and movies that were popular. We now see it as our mission to fill that gap with Ukrainian culture.”

R Kelly has been sentenced to 20 years in prison for child sex crime charges, the New York Times reports. He was found guilty in 6 of the 13 counts against him, including three counts of coercing minors into sexual activity and three of producing sex tapes involving a minor. Kelly will serve 19 of his 20 years concurrently with another separate sentence he is serving, a 30-year bid for racketeering and sex trafficking.

Greg Prato interviewed over 20 musicians, friends, and admirers of his music for his latest book 'Lanegan' about the iconic frontman of Screaming Trees and solo artist. Nick Oliveri (ex-Queens of the Stone Age, ex-Kyuss) has an interesting story to tell: "Mark said he wrote some lyrics on 'Something in the Way' with Kurt on 'Nevermind'. But Kurt had played on some of Mark’s solo stuff, 'The Winding Sheet'. So, instead of getting paid, they just did this thing where, 'Hey man, I added a lyric on your song and you added a lyric on my song. Let’s just call it even. Whatever happens, happens.' Little did Mark know, if he would have had publishing on 'Something in the Way' on 'Nevermind', he would have had a lot of money. I remember him kicking himself in the butt a little bit about that – 'If I had that ‘Something in the Way’ publishing…'" Consequence picks out several quotes.

Concerts giant Live Nation generated revenues of $16.7 billion in 2022, with the concerts business being its primary revenue driver, generating $13.5 billion in 2022. The company also says that it "invested $9.6 billion in putting on artists’ shows in 2022" and claims to be "the largest contributor to artist income".

Spotify has launched a new AI feature called “DJ” which will deliver a curated selection of music, The Verge reports. It also features AI-powered spoken commentary about the tracks and artists, using a “stunningly realistic voice.” The idea is for Spotify to get to know users so well that the DJ can choose what to play. Spotify feels this is life putting an “AI DJ in your pocket.”

Taylor Swift has been named the Global Recording Artist Chart for 2022 by the IFPI, the global recorded music trade body. This chart is the only global ranking to accurately measure consumption across all formats, including streaming formats, digital and physical album and singles sales and all countries. The IFPI’s Top 20 list reveals, in order, the artists who generated the most money last year globally across streaming, download, and physical record sales combined in 2022. Here it its:

  1. Taylor Swift
  2. BTS
  3. Drake
  4. Bad Bunny
  5. The Weeknd
  6. SEVENTEEN
  7. Stray Kids
  8. Harry Styles
  9. Jay Chou
  10. Ed Sheeran
  11. Eminem
  12. Kanye West
  13. YoungBoy Never Broke Again
  14. Kendrick Lamar
  15. Lil Baby
  16. Billie Eilish
  17. Post Malone
  18. Juice WRLD
  19. The Beatles
  20. Imagine Dragons

Mixmag has started the Cost of Living series exploring how the current economic crisis is impacting dance music. "Surging electricity bills, spiraling travel costs, increases in the price of goods and services and a dramatic change in crowd habits have hit an industry still reeling from lockdown to near-breaking point" - Mixmag underlines the environment clubs and promoters are having to deal with. Interesting phenomena is occurring with festivals: "A number of club-focused promoters appear to have turned their attention to putting on festival-like 'day parties' since the end of lockdown... As disposable incomes become tighter than ever, the 'day festival' gives attendees the chance to attend a festival — but without having to add on extra costs such as transport and accommodation, and the chance to pre-drink and pop off home without the Monday morning dread knowing they have to pull a shift in a few hours, or inadvertently spend hundreds at the bar".

Drugs and partying specialist Michelle Lhooq is wondering how the eminent psychedelic legalization is going to affect partying in general. She asks three pivotal questions for the emerging era of post-alcohol partying:

"How might the energy of a dancefloor shift if everyone is vibrating on psychedelics?

What new aesthetics emerge from a social space designed for recreational psychedelic use?

Can nightlife be sustainable if its economic model does not revolve around booze?"

Harry Styles had the world’s best-selling single of the year across all digital formats last year – including paid subscription streaming, ad-supported platforms, and single-track downloads with his single 'As It Was', making him the winner of IFPI’s Global Single Award for 2022. His single 'As It Was', according to IFPI, generated 2.28 billion global subscription stream equivalent units last year.

"On this album, Algiers wants it all: righteousness and humility, dignity and disgust, hurting and joy, cynicism and hope... Algiers lashes out at injustice, exults in its sonic mastery and insists on the life forces of solidarity and physical impact. But it refuses to promise any consolation" - New York Times reviews the fourth album by the Atlanta, Georgia band. The Line of Best Fit looks into the poetry and its meaning - "the record is largely knit together by a series of spoken-word passages and recordings, splitting the distance between poetry, confessionals, and sermons." Stereogum heard an album of the week - "The music is provocative, but it’s pleasurable, too. In 'Shook', I hear some of the grand catharsis of rap and punk and MC5-style bomb-throwing garage-rock. Parts of 'Shook 'feel freaked-out and terrified, and parts of it feel triumphant. Sometimes, those are the same parts". The Quietus believes both the band, and this record are deeply unique: "Here, they sound like a band.. utterly revitalised, and now only reaching their peak, through a record loaded with collaborations that are never perfunctory or box-ticking exercise, but joyous and celebratory... 'Shook' is a record that exudes zeal, sweat and effort – heart, mind and body music of the highest order".

"I’ve long believed that 80 years is a typical span of pop culture fame for superstars. I’m referring to the biggest names—the lesser stars burn out in 80 months or 80 weeks or 80 days. But the top draws retain their fame for the entire lifetime of their youngest fans—and given current life expectancies of the US audience, that can’t be much more than 80 years. We already see the price of Elvis Presley memorabilia starting to drop" - music writer Ted Gioia estimates how long stardom lasts.

The National have shared a new song 'New Order T-Shirt' from their forthcoming album 'First Two Pages of Frankenstein'. “To me the line ‘I keep what I can of you’ means something about everyone I’ve ever known or loved,” the National’s Aaron Dessner said in a statement, adding “there’s a simplicity to ‘New Order T-Shirt’ that reminds me of our earlier records, but with the full maturity and experience we have now. It feels like a really important song for the future of our band.” The band has partnered with New Order for a limited edition T-shirt drop. 'First Two Pages of Frankenstein' is out April 28 via 4AD, featuring contributions from Taylor Swift, Sufjan Stevens, and Phoebe Bridgers.

Rosalia

"Reggaeton artists dominated the Spanish top 50 songs chart in 2021, edging out every English-language performer except for the Weeknd and Lil Nas X. The genre’s continuous rise in Spain has raised urgent questions about cultural ownership, colonialism, and race as a result of centuries-old social hierarchies between Europe and Latin America" - Pitchfork looks into the sensitive issue. "There is concern about Spanish artists profiting off the music of Afro-diasporic cultures once colonized by Spain, sometimes even eclipsing the visibility of those who founded the movement... Meanwhile, other industry executives and cultural commentators hail reggaeton’s takeover in Spain as a sign of globalization’s advantages."

London’s Victoria & Albert Museum has acquired David Bowie’s archive of more than 80,000 items as a gift from the late musician’s estate. The collection includes costumes, instruments, letters, photos, lyrics, and much more, including a Ziggy Stardust jumpsuit, his Alladin Sane tour costumes, handwritten lyrics for 'Heroes,' and notebooks Bowie kept throughout his lifetime. In 2025, the collection will be viewable at The David Bowie Center for the Study of Performing Arts, part of V&A East Storehouse, which is being built in east London’s Olympic Park. The collection was secured by the David Bowie Estate, while a 10 million pound donation from the Blavatnik Family Foundation and Warner Music Group will go toward a display and home at the V&A East location.

Nipsey Hussle’s killer, Eric R. Holder Jr., has been sentenced to 60 years to life in prison, the Los Angeles Times reports. Nipsey Hussle was shot and killed in March 2019 at age 33. Court documents and testimony indicated that Holder, a Crips gang member, shot Nipsey Hussle at least 10 times in front of the rapper’s Marathon Clothing store, resulting in a severed spinal cord, and kicked him more than once on the ground. Holder was arrested on April 2, 2019, two days after the shooting. Nipsey Hussle, legal name Ermias Asghedom, was seen as a philanthropist and key community figure who had reinvested in the Crenshaw neighborhood he often rapped about. Hussle owned and operated several businesses in the area, including the clothing store where he was killed. Referred to by some as “Neighborhood Nip,” Hussle had poured nearly $2.5 million into the lot where he was killed and often traveled the area without security despite his status as a hip-hop superstar. He was signing autographs the day he was killed.

"Since the war with Ukraine, dissenting Russian bands have been canceled en masse, including many of the scene's original founders. Bands who faced censorship, harassment and intimidation during the Soviet days are now experiencing the same thing some 40 years later" - Bandsplaning looks beyond the Russia-Ukraine frontline and into the ever-shrinking freedom of expression the Russian musicians are facing. Since the start of the war a year ago, according to one promoter, around 30% of Russian domestic performers left the country or stopped performing.

Resident Advisor reached out to five web radio stations across the globe - Dublin Digital Radio (ddr.), Rádio Quântica, Oroko in Accra, Skylab in Melbourne and Threads in London - to provide some tips on how to start your own online radio.

A very well written text in LARB by Chicago musician Eli Winter about touring as an independent musician - "The thought of going on tour and sustaining this work produces an undercurrent of excitement that moves beyond the reach of words. Sometimes I wonder if I’m wrong to feel this way, wrong to carry on. Sure — touring has changed my life, deepened its meaning, made me a kinder person who is more open and assertive, strengthened my resolve. It’s taken me to parts of the country and world I’d otherwise not be able to visit, and it’s given me experiences I would otherwise never have had and communities of friends around the world."

"Streaming music has cultivated a new breed of creators who seem to be totally in the dark about what a DJ does in the first place. As a result we have what’s almost a new format of music that broadly fits into the parameters of club music, but will almost certainly never be played in a club — or by any DJ at all" - 5 Mag looks into the issue of dance music today being made for the purpose of being streamed, rather than danced to. "A fairly large number of people who declare themselves making deep house and techno are doing so in ignorance of DJ culture, with music that is almost hostile to DJing".

Fortnite has launched a new soundtrack option called Radio Underground, featuring indie music from all over the world, The Verge reports. The in-game radio station, curated by Bandcamp editors, is available now through March 8, when the game’s Battle Royale Chapter 4 Season 1 comes to an end. Fortnite’s creator, Epic Games, purchased Bandcamp in March 2022, and this new initiative marks the first integration between Epic’s flagship game and the indie music marketplace and service.

"It may seem strange to hear it from a music writer, but I'm always looking for a quiet moment" - Ted Gioia takes a moment to appreciate silence and differentiate music from noise. "I always crave more quiet moments in my life. But I still love the music. Maybe I love it all the more, for having refreshed the ears with a dose of quiet before returning to that next song".

"When Beyonce and Adidas teamed up on Ivy Park in 2019, it seemed like the sky was the limit. Beyonce wanted a partner that offered creative control. Adidas wanted to replicate Yeezy’s massive success... But the recent Wall Street Journal report of a 50% sales decline and a $200 million drop in Adidas’ sales projections brought a series of challenges to light" - Trapital's Dan Runcie points out in his latest memo. "There were uninspired drops, less enthused customers, and creative tension... It’s very difficult to push a celebrity-influenced direct-to-consumer product in the social media era without that celebrity promoting the brand in an accessible way... It’s a reminder that even the most powerful celebrities still need product-market fit and alignment with business partners to succeed. “the next Yeezy” never happened."

American musician John Vanderslice described to Consequence how he managed to make a “middle-class living" from touring. It was a 12-date tour of the American west coast when he used a hotel scam to get discounts, didn't use any drugs or alcohol, made his own food, and had a lot of merch in his car. All in all, he made $8064 from concerts and $9220 from the merchandise. His costs were $1795, which means he made $15,500 in two weeks. Vanderslice owns a studio and works as a record producer.

"The more [musicians] get the acclaim, the more they start needing it. You might think that after all the big paychecks and standing ovations, they would eventually have reached some sense of self-satisfaction that would allow for an easy retirement. But that’s not true. In fact, the opposite is the more typical case. The more the artists are rewarded, the more they still want" - music writer Ted Gioia looks into the possibility of ending a career as a musician. "Sometimes it’s better to walk away when you’re still riding high. I greatly admire performers such as Audrey Hepburn or Shirley Temple, who happily launched second careers doing charitable works and good deeds. They used their fame for something different, something perhaps better. My view is that Madonna would have a much more powerful and positive legacy if she did something like that."

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Music streaming giant Spotify is shutting down its live audio app, Spotify Live, two years after launching it and after coming to the conclusion that "it no longer makes sense as a standalone app.” The company plans to continue with some aspects of live audio, mainly “listening parties”. Some of the app’s shows will continue as non-live programs on the main Spotify app.

"I liked the idea of writing music that was not amplified, that didn't require any electricity. It was just me and the scoring paper" - Thomas Bangalter, formerly of Daft Punk, says in a BBC interview about his latest work, scoring music for a ballet. The project takes him back to his childhood - his mother and his aunt were both dancers, and his uncle a dance instructor, so when France's contemporary choreographer, Angelin Preljocaj, asked him to score a new ballet, he couldn't say no - "my mother passed about 20 years ago and going back to that world is linked to a certain time of my life. So it adds some nostalgia, but at the same time, it was a very new adventure." He also shares his thoughts on AI in the interview, as well as ending Daft Punk - "It was an exploration, I would say, starting with the machines and going away from them. I love technology as a tool [but] I'm somehow terrified of the nature of the relationship between the machines and ourselves. We tried to use these machines to express something extremely moving that a machine cannot feel, but a human can. We were always on the side of humanity and not on the side of technology. As much as I love this character, the last thing I would want to be, in the world we live in, in 2023, is a robot."

A great show by CBC News about the future of music and the effect technology has on it. CBC News Explore’s BIG MUSIC looks at how Spotify, Ticketmaster, LiveNation, and Tik Tok are changing the very nature of music. It goes way back to the very beginning of recorded music and ownership of music, to the current moment of non-ownership. Great stuff!

"Capital punishment may seem an unlikely subject for a hit song. But a few hundred years ago, execution ballads not only circulated in society, but were extremely popular. The music business, as it existed in those days, depended on these bloody songs for profits. Countless examples survive in the form of broadside ballads—popular songs that were printed and sold and performed in public spaces. They were often sold at the execution itself. But they continued to circulate in the following days—serving as a combination of macabre entertainment, moral education, and daily news for people who hadn’t actually been in attendance" - music writer Ted Gioia argues how important and widespread execution songs were until fairly recently.

In a recent post on his Red Hand Files blog, Nick Cave answers a fan's question about breaking down after having lost his father. Deeply compassionate and positive: "We each have our reserves of sorrow that rise to the surface, provoked by one little thing or another, to remind us we are human and that we love and that we are a part of the great human story that flows along the ancient waterways of our collected and historical griefs. This breaking down is not something from which we need to be saved or cured, but rather it is the toss and tumble of life, and the occasional losing of oneself to the sadness of things is an honouring of life itself."

Coachella’s all six stages will be streamed live online across both weekends in April for the first time. The live YouTube stream promises performances from Bad Bunny, BLACKPINK, Calvin Harris, Rosalía, Gorillaz, Burna Boy, Becky G, Wet Leg, Benee, Willow, Bjork, The Comet is Coming, Murder Capital, Yves Tumor, Kaytranada, Boygenius, Weyes Blood, and many more. Coachella’s weekend one livestream will launch on Friday, April 14th at 4:00 p.m. PT, with weekend two following on Friday, April 21st at the same time.

The acclaimed Japanese musician and synth-pop pioneer Ryuichi Sakamoto has died at 71, per a statement from his management team. Sakamoto was, next to Haruomi Hosono and Yukihiro Takahashi, co-founder of foundational synth-pop band Yellow Magic Orchestra, and their 1978 debut album, with singles 'Computer Game' and 'Firecracker', was a sensation in Japan. They also were influential in the development of hip-hop, sampled by countless in the genre. The trio developed their sound and broke new synthesizer ground with their albums, from 'Solid State Survivor' in 1979 through 'Service' in 1983, after which they would break up but leave behind an undeniable impact on the world of electronic music and beyond. As a solo artist, Sakamoto composed scores for movies, including an Oscar-awarded score for 'The Last Emperor', an anthem for the Japan Football Association, and the opening ceremony of the 1992 Barcelona Olympics. Simon Reynolds makes a strong case for Sakamoto being one of the key figures in the creation of techno, whereas Alexis Petridis argues the composer has paved the way for electropop and hip-hop.

"We are not used to silence. Music has become background noise increasingly" - Jarrod Richey, a music teacher from Luicianna, shares some thoughts on active & passive music listening. "Playing good music in the background... is about as useful as putting a foreign language audiobook on in the background while doing the dishes... Music must move to the foreground of our minds and ears. We must learn to listen actively."

Some very interesting thoughts by Feist in The New Cue interview, about her upcoming new album 'Multitudes'.

About lyrics: "No matter what I intended, people will interpret it through their own life experience and through their own lens. Even for myself, I can sing a song that I wrote 20 years ago and sometimes I get this sort of funhouse mirror thing where I’m like, ‘Whoa, that’s not what I thought it was!’ When the songs are open enough containers, even I can read them as an entirely different thing."

About being an entertainer: "People like that feeling, of having these declarations made from a brightly-lit podium. Through human history there’s been storytelling by the fire, the pyramid with the priest on top, or whatever version of a lot of people looking at one person it is. It’s weird that it’s now entertainment, but I’ve never comfortably fitted in that spotlight, or felt that I could shapeshift into that."

About becoming a parent: "In terms of motivation for these songs, a dimension in me opened so deeply that actually I didn’t care about songs anymore. I cared about how to survive. I don’t mean how to survive my daughter, but as a friend said to me, there’s an incineration in becoming a mother. You’re incinerated but the person that rises from among the ashes is a more interesting person to be for the rest of your life. It’s sort of a trade-off, you’re willing to lose everything to gain something more."

Seymour Stein, the legendary New York music executive who signed Madonna, Talking Heads, Lou Reed, The Ramones and co-founded Sire Records, has died at the age of 80, Billboard reports. Stein set up Sire in 1966 and became a key figure in the punk, new wave and pop scenes, also introducing UK acts like The Smiths, Fleetwood Mac, Depeche Mode, Seal, The Cure and Madness to the US. Stein got into the music industry at the age of just 13 in the 1950s working in the industry paper Billboard, only to become one of the most successful talent spotters in the business - his other signings included Ice-T, The Pretenders, KD Lang and Richard Hell & the Voidoids.

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