The New Yorker is highlighting a selection of their pieces celebrating Bob Dylan's big birthday. "In 'The Crackin’, Shakin’, Breakin’ Sounds', from 1964, Nat Hentoff visits Dylan in the studio and catches the artist in the first stages of his meteoric recording career. ('Wiry, tense, and boyish, Dylan looks and acts like a fusion of Huck Finn and a young Woody Guthrie. Both onstage and off, he appears to be just barely able to contain his prodigious energy'). In 'The Wanderer', Alex Ross follows Dylan on the road during his Never Ending Tour, which has defined the most recent decades of his seminal performances ('It’s hard to pin down what he does: he is a composer and a performer at once, and his shows cause his songs to mutate, so that no definitive or ideal version exists. Dylan’s legacy will be the sum of thousands of performances, over many decades')".