Chuck D / Bernie Sanders

Bernie Sanders has drawn endorsements from a wide range of Gen X and millennial rock musicians - from Vampire Weekend, the Strokes and Portugal. the Man to Jack White, Best Coast and Bon Iver, as well as a number of hip-hop artists, among them Public Enemy, Cardi B., Lizzo, Run the Jewels’ Killer Mike, Anderson .Paak, Lil Yachty, rapper T.I., and pop stars including Miley Cyrus, Zedd and Ariana Grande. It's not only Sanders who musician like - Cher, singer/actress Rita Wilson and her husband Tom Hanks are stumping for former Vice President Joe Biden, while John Legend, Melissa Etheridge, Rosanne Cash and Aimee Mann are backing Sen. Elizabeth Warren. LA Times discusses what does such support mean in the age of social media?

Lewis Capaldi this week starts a tour that will see him play some of the UK’s biggest venues, Sam Fender and Dermot Kennedy will soon play two shows each at Alexandra Palace, Billie Eilish plays four O2 Arena dates in July, Scottish troubadour Gerry Cinnamon is set to play arenas, castles, parks and even Glasgow’s Hampden Park stadium. How did it come to that? - some artists have huge followings thanks to social media, without having to play small shows. This often means they haven’t had the time to work on their live show and develop as artists used to. Guardian wonders whether it's damaging to young artists to be playing such big venues so early in their careers.

Lebanese singer-songwriter Juliana Yazbeck wrote an excellent article in the Gal-Dem about double standards when it comes to the perception of Arab music. "Apparently, my music is 'hard to sell' and 'hard to categorise'. A former manager of mine – also an Arab – said to my face that if I were 'less niche' I could book bigger shows and get paid more (read: get paid what I deserve). Who decides how niche I am? I would imagine that decision is down to me. Meanwhile, acts like Coldplay appropriate and fetishise our people’s culture and suffering (see: their latest album 'Everyday Life'), and we are meant to be grateful for being noticed by them. The same door that closes for us opens for white artists appropriating Arab culture". And she's not that niche at all, as Juliana says herself, she is - "combining Arabic singing traditions with rap and genre-bending electronica".

"Heavy metal Mardi Gras" was held yesterday in Perth - Canning Highway in west Australia city was closed to all vehicles except eight trucks that hosted eight different bands all singing their own version of AC/DC songs to commemorate the death of AC/DC frontman and Perth lad Bon Scott’s funeral 40 years ago. ABC reports that an estimated 150,000 people lined the route between Applecross and Fremantle waiting for the world’s longest stage, and before the AC/DC convoy began its journey, an air guitar world record was set when more than 3500 people rocked out to 'Highway To Hell', Louder reports. The Highway to Hell concept was big and weird and it was a gamble but it paid off massively and is something we can proudly write in history books - WA today writes.

Public Enemy have parted ways with their charismatic MC Flavor Flav, after more than 35 years, Rolling Stone reports. The dismissal came two days after the rapper sent a cease-and-desist letter to Bernie Sanders' campaign after his bandmates said they'd appear at one of his rallies in Los Angeles. Frontman Chuck D suggested on Twitter the disagreement over Sanders' rally was financially, not politically, motivated - "i there was a $bag, Flav would've been there front & centre. He will NOT do free benefit shows". Flavor Flav's cease-and-desist letter accused the campaign of using his "unauthorised likeness, image and trademarked clock in promotional materials" for a Los Angeles rally, even though the rapper "has not endorsed any political candidate". Public Enemy later performed at Sanders' LA rally, under the Public Enemy Radio banner - featuring Chuck D, DJ Lord, Jahi and the S1Ws.

Maddie & Tae

Indie singer-songwriter Moses Sumney, pop-punk bandleader Hayley Williams, and country duo Maddie & Tae are dropping their new albums in two or more multi-song installments, divided by months.  “All of this comes down to streaming” - one indie label campaign manager explained. Nick Blandford, Sumney's publisher, said - “attention spans are short. We can’t change that. But we wanted to try and play with it a bit”. MusicWatch managing director Russ Crupnick is completely practical about it - “every study we do around social says the No. 1 thing fans want to hear about is new releases from their artists”.

Sylvia Robinson

The woman from the Dirty Dancing song teams up with a mobster and a kid from a pizza parlor to - by a combination of timing, luck, forethought, and stolen lyrics - start a revolution - Complex says about Sylvia Robinson, their choice of the best hip-hop producer od 1979. The best in 2019 - Madlib, for creating soulful, era-spanning beats. In-between the two - Kanye West, Dr. Dre, The Neptunes...

Korean boy band BTS have debuted on top of Billboard 200 chart, with their newest album 'Map of the Soul: 7' sold in 422,000 equivalent units (347,000 actual purchases, and 75 million streams). It is their fourth No. 1 album in the U.S., the biggest debut of 2020, and BTS' third No. 1 on the Billboard 200 in less than 12 months, which is a feat that had last been managed by The Beatles over half a century before. Back on the new Billboard 200, rapper YoungBoy Never Broke Again bows at No. 2 with 'Still Flexin, Still Steppin', which steps in with 91,000 equivalent album units, and Ozzy Osbourne’s 'Ordinary Man' debuts at No. 3 on the Billboard 200 with 77,000 equivalent album units.

Los Angeles-based startup Stem Disintermedia Inc., launched last week, is offering musicians money they can use to go on tour, record new songs or market their work - without demanding ownership. According to Bloomberg, Stem has created a flat-fee service called Scale that offers financing in the form of a revolving credit line and plans to lend more than $100 million in advances to artists and independent labels. Fees range from 5% to 25%, and Stem also collects a cut when artists use its platform to distribute their music. Stem is backed by the likes of Mark Cuban and Scooter Braun, with clients Ariana Grande, Justin Bieber, Kanye West and Usher, Forbes reports.

"Musicians don't drink like normal people," Canadian singer-songwriter Damhnait Doyle wrote in a Toronto Star op-ed earlier this year. "You drink before gigs, during gigs, after gigs, on your day off, on a travel day, at the airport bar, the hotel bar, in the bus, the back of the van, when the show sucks, when the show is off the hook, when your song is on the radio, when no one's playing your single. Alcohol is both the journey and the destination". The article inspired Exclaim to talk to several artists - Hollerado drummer Jake Boyd, singer-songwriter and Single Mothers frontman Drew Thomson, PONY bandleader Sam Bielanski and singer-songwriter Ansley Simpson - about how they got sober and what has changed since they stopped drinking.

Danish musician Amalie Bruun chose Myrkur (Icelandic for "darkness") as her stage name, and the color persists on her new album 'Folkesange' where she reworked traditional Scandinavian songs. It's "modern versions" of songs played, all by her, on mandolas, lyres and a nyckelharpa, resulting in "dense, intense folk".

Violet Cold are so rich in sound on 'Kid Noir' it seems there is an orchestra behind the music, whereas it's a one-man-show - by Emin Guliyev. It's big, it's dramatic, it's rich, it's - great!!! Invisible Oranges likes the "spaced-out vocals and monstrously thick atmospherics to literally drown your ears in wet noise". On a lighter note - Guliyev charges his album $6,66 at Bandcamp :-).

Perth festival 2020 is closing on Sunday (March 1) with Highway To Hell - a celebration of AC/DC's Ben Scott, who died 40 years ago, with the longest stage in the world. Perth will close a 10 km stretch of Canning Highway (path Scott took when he was going from his home to practice) with two lanes for eight flat-bed trucks with dozens of performers on the trucks, the other two lanes for the public. According to Perth Now, a crowd of 100,000 people are expected to attend the Highway to Hell, but it'll actually be a musical paradise!

Rammstein have posted an intense timelapse video of their tour crew outfitting a stadium in Dresden, Germany. The entire process is highly coordinated, taking place over the span of seven days and with the help of multiple 18-wheelers and over 400 crew members carting in flooring, lights, decorative stage elements, and sound equipment. It takes 60 hours to set up the stage, and the Rammstein concert lasts 90 minutes or so.

"'Suddenly' is drenched in wonderful melodies – behind the bedroom-bound sonic boffin image, Snaith is a really good songwriter – and packed with moments more obviously pop-facing than anything previously released" - Guardian's Alexis Petridis writes about Caribou's new album (gave it 5 of 5 stars). He especially likes the way Dan Snaith sings - "You don’t realise how accustomed your ears have become to Auto-Tuned perfection until you hear someone who actually sounds like a human being rather than a cyborg programmed to perform vocal calisthenics: it hits you emotionally in a way that melismatic feats of strength and endurance simply don’t". Listen to the album in full at Bandcamp.

The Macrostylis metallicola is a worm-like creature that lives in the Clarion Clipperton Zone off the coast of Hawaii, at depths where the pressure is 400 times greater than that of the earth’s atmosphere. According to doctors Torben Riehl and Bart De Smet, who discovered the new creature, named it after the band due to specific details of their habitat, and Metallica is one of Riehl's favourite bands, the Phys reports.

Jessie Ware

London rapper Jelani Blackman lives the usual life, judging by the lyric "I just eat, work, and then I swerve" from his new song 'Swerve'; avantgarde Mexican musician Nnux is both experimental and enjoyable in her new video 'Piezas'; Lady Gaga unveiled her first solo single in three years, disco-pop 'Stupid Love', with a Slipknot-meets-Klingon-meets-Avatar video; Jessie Ware has shared a disco-banger 'Spotlight' with a video set in Belgrade aboard the Blue Train, the private transport of former Yugoslavian leader Tito; some good country by Steve Earle & the Dukes about one of the worst mining disasters in American history in 'Devil Put The Coal In The Ground'; Gorillaz go Afropop in 'Désolé' ("sorry") featuring Malian star Fatoumata Diawara on vocals; Lovelorn combine goth and synth-pop in 'Around You'; Azusa is comprised by members of Dillinger Escape Plan, Extol, Sea + Air, and, as if that wasn't enough, they have Testament’s Alex Skolnick on guitar solo on 'Detach'; Stephen Malkmus has shared 'Shadowbanned', a psych-folk jam featuring Kim Gordon, Sharon Van Etten, Kurt Vile, Conor Oberst in video.

An interesting interview with Halsey in the Guardian about how the media and the public present and view women - “It’s so much greater than me – it’s a social perception of women. So fuck it, I’m gonna tell them everything that happened. I am financially independent, I have my own team, I have every resource in the world to get out of [misogyny]. I still can’t. How hard must it be for women who don’t have these resources?”. But, things can be done - at the Women’s March in 2018, she delivered a poem about her experience of sexual harassment so compassionate, angry and confessional that - “people came up to me in the street. Men. A whole demographic who’d never approached me before. Art still works! You lose faith in it sometimes”.

Simon & Garfunkel made one of, or the best album of their career 'Bridge Over Troubled Water', and - broke up (for the third time). The latest edition of Acast podcast discussed that very issue - energy coming out from not a conflict, but a crucible of honest creative confrontation. Host Andy Bothwell speaks to musicians Nick Thorburn (Islands/Unicorns) and Mattiel on the importance of creative conflict. Listen to it - here.

Heavy metal fans are the mostly likely of any genre to have had a sexual experience in a car, according to a survey by TickPick about music habits while in automobiles. 75 percent of heavy metal listeners have experienced a sexual encounter in a vehicle, as opposed to 65 percent of all respondents, and ahead of fans of oldies music, hip-hop, rap and R&B/soul. Music of choice for car-sex - R&B and soul in over 27 percent of the time, metal 12.6 percent.

The Cabo Verdean popular music genre of funaná was outlawed by the Portuguese colonial government in the 1950s as too proud an expression of identity, and it emerged only in the 1990s as a symbol of political activism. A new compilation 'Pour Me a Grog: The Funaná Revolt in the 1990s' is driven by the gaita (the type of accordion), an instrument materially linked to colonial influences even as it necessarily revolts against them. It's accompanied by passionate vocals and plentiful drums and synths, with remarkable speed on instruments. PopMatters says the album is worth a listen if only to make the acquaintance of a wholly unique musical style.

Danger Mouse

16 years ago - in a more innocent, less litigious, and more freewheeling time - Danger Mouse made a sensation with his 'Grey Album' that combined music from The Beatles' 'White Album' and Jay-Z's vocals from his 'Black Album'. Rolling Stones is wondering would we get to hear such an experiment now? The answer is - probably not! Far more so than in the post-Napster days of 2004, the music business is on edge about copyright infringement. If anyone had the notion of creating something akin to 'The Grey Album now', those thoughts would be quickly extinguished, considered not worth the risk and cost.

Many DJ are acutely aware of the mental and physical risks of the typical "DJ lifestyle", Mix Magazine says in an interesting article about a change in nightclubs post-Avicii. With a new and welcome transparency around artists’ mental health and addiction, DJs feel more at ease to make a big change. The other big thing is that much of the club scene has changed, in many cases becoming less a place of expression than of consumption: a circuit for DJs and artists, where the emphasis on ever-grander spectacle and production can alienate not only the crowd but the DJs from the music, eating away at the idea of the club as a place of subculture and resistance.

RZA has released 'Guided Explorations', a five-track EP that is meant to be listened to in a “chill environment”, preferably while drinking some TAZO Tea. RZA goes deep on the scourge of distraction and poisonous thoughts, explaining how “competitive pressure can stagnate you”. As the record continues, he spools out kernels of self-help advice over ambient soundscapes and light beats.

British guitarist Rob Marshall invited "a long list of extraordinary vocalists [Dave Gahan, Mark Lanegan, Carl Hancock Rux] to bring grace, philosophical wisdom, and their unique artistic perspective to the songs" on his debut album as Humanist. PopMatters says the album's "high-minded ideals of birth, death, morality, and one's place in an unrelenting world are articulated by a perfectly curated list of singers who have all flown as close to the sun as anyone. Musically it's rich in scope with Marshall pulling in all of his influences from post-punk to breakbeat to indie and krautrock and fitting them together like parts of a puzzle".

The Strokes' drummer Fabrizio Moretti is also an artist. He shared some interesting thoughts to Consequence of Sound about how he sees arts and consuming of it: "There’s a difference between being an artist and actually fucking putting in the work”; “When you start crafting, you see that the work influences the rest of the work because of the sheer fact that you need to do well. I’m always working on two songs at the same time because if I don’t, I obsess on the details of one, and it fucks up"; "You go and you see a piece of art; you’re looking at it outside of you. When you listen to a song, the singer’s voice is being put together in your own head. The effort that you as the listener has is part of the artwork in a sense”.

Jay-Z has filed a civil lawsuit against the Mississippi Department of Corrections on behalf of 152 inmates at a state prison, alleging “abhorrent conditions, abuse and constant violence, inadequate health care and mental health care, and overuse of isolation", CNN reports. It is the second lawsuit brought against the prison by Jay-Z - he filed a suit, in tandem with Ya Gotti, on behalf of 29 other inmates in January. Jay-Z has frequently involved himself in African American civil rights cases using his philanthropy arm Team Roc.

St. Vincent has confirmed that she has a new clothing line STV.OV on the way. She provided a phone number for fans to call to receive “more information”. In a new Tweet, Annie Clark confirmed that she’s collaborated with Outdoor Voices on a new sporting collection.

1 141 142 143 144 145 221

"Have you ever started listening to something and knew that you were different after? That’s how I was with 'Nia'" - The Root writer Panama Jackson in a loving tribute to Gift of Gab, Blackalicious MC who died last week, and who "seriously, seemed as if he was literally born to rap. He tried things, clearly in the name of hip-hop".

The director Beth B "is not interested in showing Lunch’s abrasive attitudes in a flattering light, and her take-her-as-she-comes approach extends to the doc’s account of musical metamorphosis" - Hollywood Reporter reviewed 'The War Is Never Over' the first career-spanning documentary of the 1970s No Wave icon Lydia Lunch. "B. leaves no stone unturned when it comes to Lydia Lunch ephemera. There’s great live footage from all of her music projects and spoken-word events. It’s a treasure trove that long-time fans will love" - Film Threat writes enthusiastically.

The Earth was not enough

Sun Ra: The impossible attracts me

Sun Ra liked "the new", whether it be instruments, words, genres - The New Yorker points out in a profile about the innovator. He gave instruments new names, like the “space-dimension mellophone", the “cosmic tone organ" and the “sunharp", whereas his band the Arkestra weren't musicians, they were "tone scientists". Sun Ra himself was an exploratory soul - “the impossible attracts me, because everything possible has been done and the world didn’t change". This spring, the Chicago gallery and publisher Corbett vs. Dempsey reproduced a series of Sun Ra poetry booklets: 'Jazz by Sun Ra',' 'Jazz in Silhouette', and 'The Immeasurable Equation'.

Dame Dash / Jay-Z

Damon Dash tried to auction off his ownership of the copyright to Jay Z’s first album, 'Reasonable Doubt'. At first, Dash wasn't so clear he didn't want to sell the entire Reasonable Doubt album as an NFT - he wanted to sell his one-third ownership share of Roc-a-Fella as NFT. However, Jay-Z raised a lawsuit, and on June 22, a New York judge ruled in favor of Jay-Z to stop the auction. Three days later, on 25th anniversary of 'Reasonable Doubt', Jay Z and artist Derrick Adams collaborated to auction NFT artwork for the classic album. Trapital explains the hassle.

Norwegian company Elire is planning to create a doomsday vault to preserve the world’s most important music recordings for at least 1,000 years, with the same safeguards offered by the Arctic World Archive and the Global Seed Vault, two existing storage facilities housed underground in the Svalbard archipelago, Billboard reports. Buried almost 1,000 feet below a snow-covered mountain, on an arctic island Svalbard midway between Norway and the North Pole, and using future-proof digital storage, the vault will store recordings of everything from major-label pop hits like the Beatles to Australian Indigenous music. The vault is built to withstand the kind of extreme electromagnetic pulses that could result from a nuclear explosion, which could permanently damage electronic equipment and play havoc with digital files. An extra level of protection will come from Svalbard’s low temperature and dry permafrost conditions. Elire intends to make money by charging companies and individuals for deposits to the vault. It also plans to make the vault’s contents accessible to listeners around the world, when it has the permission of rights holders, and share the revenue this generates with creators.

YouTuber Rocked counts down 10 albums music critics have hated at first, only to get lauded later. It's exclusively rock albums, by AC/DC, Black Sabbath, Pearl Jam, Pink Floyd, Queen, Radiohead and some other big rock bands.

An interesting interview by the Music Journalism Insider with Courtney E. Smith, the host, writer, and co-executive producer of Songs in the Key of Death, a new podcast about murder ballads. What is it: "A historiography—it’s a storytelling podcast that examines the true crimes that inspired a murder ballad, the people who wrote the song or popularized it by singing it, and the historic times that both of those things happened in. It hopes to give listeners context around what was happening historically and when one of the most notable versions was performed. It also aims to explore how we’ve talked about these crimes in the past and what new information we have now that we should consider. Many of the songs don’t tell the real story or reflect the victim’s point of view. Giving them a voice and some life is a way to look again at a violent history".

"If the pandemic gave the general public an insight into touring life minus the hour onstage – ie, drinking earlier and earlier in the day to alleviate the tedium of being stuck in cramped, largely identical rooms with the same three or four people for months on end – for many musicians it had the opposite effect. By removing the social gigging element of their lives and careers, lockdown starkly exposed dependencies they’d previously been able to disguise as a typical rock’n’roll lifestyle" - music journalist Mark Beaumont wrote in the Independent introducing his piece about musicians who stopped drinking in the pandemic: members of Royal Blood, Deadletter, You Me At Six, Wu LYF and others.

Analysis of Singapore's GDP is funnier!

Hey Pitchfork, could you lighten up a bit?!

An obvious question, for years now, which nobody has loudly set, to the very clever and way-too-serious Pitchfork writers (or, maybe, should its owner Conde Nast answer it?!). "Pitchfork is devoid of personality to a startling degree, especially in a pop culture magazine" music journalist and critic Wayne Robbins argues, defining Pitchfork texts "as post-humor assertions of importance regarding artists no one outside a young cohort of music nerds would find meaningful or important". What the P lacks, Robbins is certain, are expressions of personalities: "There isn't a single critic at this magazine that has a distinctive, look-forward-to-reading style or personality. And I bet you could make a substantial list with names of writers who are capable, but for some reason can't, or won't, let their freak flag fly".

Megan Thee Stallion won a leading four awards Sunday at the BET Awards -rapper won best female hip-hop artist, best collaboration and best video of the year for 'Wap' with Cardi B, and the viewers’ choice award for 'Savage' with Beyoncé. Chris Brown won best male R&B/Pop Artist, and Oscar winner H.E.R. won female R&B/Pop Artist. The annual awards celebrate the year in Black music, TV, film, sports and social impact and this edition touted the “year of the Black woman,” with Queen Latifah receiving the Lifetime Achievement BET Award. Billboard lists all the nominees and winners.

1 141 142 143 144 145 661